6.0
Viewer Rating
Combines user and critic ratings from four sources
The Battle at Lake Changjin II: Water Gate Bridge (2022)
The Battle at Lake Changjin II: Water Gate Bridge (2022)
Overview
In the follow-up to "The Battle At Lake Changjin", brothers Wu Qianli and Wu Wanli undertake a new task for the People's Volunteer Army, defending a bridge part of the American troops' escape route from the advancing Chinese.
Starring Cast
Rating & Dimensions
Bias Rating
Analyzing...
Traditional
Political: Strong Right
Diversity: Moderate
Viewer Rating
6.0
Overview
In the follow-up to "The Battle At Lake Changjin", brothers Wu Qianli and Wu Wanli undertake a new task for the People's Volunteer Army, defending a bridge part of the American troops' escape route from the advancing Chinese.
Starring Cast
Detailed Bias Analysis
Analyzing...
Traditional
Primary
The film's central thesis explicitly promotes extreme patriotism, nationalistic sacrifice, and the glorification of military action against a foreign adversary, aligning its core message with conservative ideology.
The film, a Chinese war production, features a cast that is diverse within its historical and geographical context, without engaging in explicit race or gender swaps of traditionally Western roles. Its narrative focuses on the conflict from a nationalistic perspective, and does not offer a DEI-driven critique of traditional Western identities.
Secondary
The film "Water Gate Bridge" is a historical war drama focusing on military conflict. There are no identifiable LGBTQ+ characters or themes present within the narrative, leading to a determination of N/A for its portrayal.
The film "The Battle at Lake Changjin II: Water Gate Bridge" is a war drama focused on the Korean War. There are no identifiable transsexual characters or themes present within the narrative, leading to a determination of N/A for its portrayal.
The film is a war drama primarily focused on male soldiers in direct combat during the Korean War. There are no significant female characters depicted in close-quarters physical combat roles against male opponents.
The film is a sequel to 'The Battle at Lake Changjin' and depicts historical events. Its main characters are male soldiers, consistent with their portrayal in the first film and the historical context of the Korean War. There are no instances of established characters being portrayed as a different gender.
The film depicts historical events and characters from the Korean War, primarily focusing on Chinese soldiers. The casting aligns with the historical and canonical racial identities of the characters, with no instances of a character established as one race being portrayed as another.
Viewer Rating Breakdown
User Ratings
5.6
6.3
Critic Ratings
N/A
N/A
More Like This
Center
7.7
Red Cliff
(2008)
Political: Center
Diversity: Low
Female Combat: Yes
Leans Traditional
7.3
The Eight Hundred
(2020)
Political: Leans Right
Diversity: Moderate
Leans Traditional
6.8
Ip Man 3
(2015)
Political: Leans Right
Diversity: Moderate
Leans Traditional
7.6
Ip Man
(2008)
Political: Leans Right
Diversity: Moderate
Leans Traditional
7.3
Youth
(2017)
Political: Center
Diversity: Low
Center
8.3
Hero
(2002)
Political: Leans Right
Diversity: Moderate
Female Combat: Yes
Center
6.7
Legends of the Condor Heroes: The Gallants
(2025)
Political: Leans Right
Diversity: Moderate
Female Combat: Yes
Leans Traditional
7.1
Assembly
(2007)
Political: Leans Right
Diversity: Moderate
Center
7.3
Master Z: Ip Man Legacy
(2018)
Political: Leans Right
Diversity: Moderate
Female Combat: Yes
Traditional
6.5
Snipers
(2022)
Political: Strong Right
Diversity: Moderate
Traditional
6.9
Mr. Six
(2015)
Political: Leans Right
Diversity: Low
Leans Traditional
6.5
Running on Karma
(2003)
Political: Leans Right
Diversity: Moderate
Leans Traditional
7.2
七七事变
(1995)
Political: Leans Right
Diversity: Moderate
Traditional
7.3
Operation Red Sea
(2018)
Political: Strong Right
Diversity: Moderate
Traditional
7.0
Home Coming
(2022)
Political: Strong Right
Diversity: Moderate
Leans Traditional
6.7
Steel Meets Fire
(1991)
Political: Leans Right
Diversity: Moderate
Leans Traditional
7.3
I Am What I Am
(2021)
Political: Leans Right
Diversity: Moderate
Leans Traditional
8.1
Hibiscus Town
(1987)
Political: Leans Right
Diversity: Moderate
Traditional
7.2
Operation Mekong
(2016)
Political: Strong Right
Diversity: Moderate
Leans Traditional
7.4
The Young Couple Apartment
(1987)
Political: Center
Diversity: Low