Leans Progressive
7.0
The Director of the Foster Home
(1984)
Political: Strong Left
Diversity: Low
The Belkin Tales: The Shot (1981)
The Belkin Tales: The Shot (1981)
Overview
Feeling taunted by the success of an inordinately fortunate nobleman, an officer decides to challenge him to a duel.
Starring Cast
Rating & Dimensions
Bias Rating
Analyzing...
Center
Political: Center
Diversity: Moderate
Christianity: Positive
Viewer Rating
Not Rated
Overview
Feeling taunted by the success of an inordinately fortunate nobleman, an officer decides to challenge him to a duel.
Starring Cast
Detailed Bias Analysis
Analyzing...
Center
Primary
Due to the complete absence of information regarding the film's plot, themes, or narrative, an objective assessment of political bias is not possible. The rating of 0 reflects this lack of data, indicating no discernible bias from the provided details.
Based on the limited information provided, the movie is assessed as having a neutral approach to both character representation and narrative framing concerning diversity, equity, and inclusion themes.
Secondary
The film portrays characters whose actions, driven by honor and revenge, contradict Christian teachings. By depicting the psychological burden and ultimate futility of these pursuits, the narrative subtly aligns with Christian virtues of forgiveness and peace, thereby affirming the dignity of the faith.
Based on the provided information, the film does not appear to feature any identifiable LGBTQ+ characters or themes. Therefore, no specific portrayal can be evaluated under the given framework.
No identifiable transsexual characters or themes are present in the film, as no information regarding its content was provided for analysis. Therefore, an evaluation of its portrayal is not applicable.
The movie does not contain any action or adventure elements.
The 1981 film "The Belkin Tales: The Shot" is an adaptation of Alexander Pushkin's short story. Key characters such as Silvio, Count B., and Masha are portrayed with the same genders as established in the original literary work. No instances of gender swapping are present.
The film is an adaptation of Alexander Pushkin's 19th-century Russian stories. The characters in the source material are implicitly white/Russian, and the actors cast in this 1981 Soviet adaptation are also consistent with that racial background. No character established as one race was portrayed as a different race.
More Like This
Leans Traditional
6.8
Life of Klim Samgin
(1986)
Political: Center
Diversity: Low
Leans Traditional
8.0
Such a Strange Evening in a Small Family Circle
(1985)
Political: Center
Diversity: Low
Center
8.0
A Warm Place
(1981)
Political: Center
Diversity: Moderate
Leans Traditional
6.6
Esop
(1981)
Political: Center
Diversity: Low
Center
8.0
...And This Happened in Vichy
(1989)
Political: Leans Left
Diversity: Low
Center
9.0
Wintering Law
(1984)
Political: Center
Diversity: Moderate
Leans Progressive
7.0
I, Son of the Working People
(1983)
Political: Strong Left
Diversity: Low
Leans Traditional
6.7
Three People on a Highway
(1983)
Political: Center
Diversity: Low
Leans Traditional
7.2
Autumn Trip to Mother
(1981)
Political: Center
Diversity: Low
Leans Traditional
6.8
Time for Reflection
(1983)
Political: Center
Diversity: Low
Leans Traditional
6.9
Broken Circle
(1987)
Political: Center
Diversity: Low
Leans Traditional
8.7
Stalker
(1979)
Political: Center
Diversity: Low
Leans Progressive
8.3
Strike
(1925)
Political: Strong Left
Diversity: Moderate
Leans Traditional
6.8
A Dog Who Could Sing
(1991)
Political: Center
Diversity: Low
Leans Traditional
6.7
Don't Leave Your Lovers
(1980)
Political: Center
Diversity: Low
Center
8.1
The Color of Pomegranates
(1969)
Political: Center
Diversity: Moderate
Leans Progressive
6.8
Komsomol Is My Motherland
(1931)
Political: Strong Left
Diversity: Low
Traditional
8.3
Ivan the Terrible, Part I
(1944)
Political: Strong Right
Diversity: Low
Center
6.9
Gray Mouse
(1988)
Political: Leans Left
Diversity: Low