7.5
Viewer Rating
Combines user and critic ratings from four sources
The Boys in the Band (1970)
The Boys in the Band (1970)
Overview
A witty, perceptive and devastating look at the personal agendas and suppressed revelations swirling among a group of gay men in Manhattan. Harold is celebrating a birthday, and his friend Michael has drafted some other friends to help commemorate the event. As the evening progresses, the alcohol flows, the knives come out, and Michael's demand that the group participate in a devious telephone game, unleashing dormant and unspoken emotions.
Starring Cast
Where to watch
Rating & Dimensions
Bias Rating
Analyzing...
Center
Political: Leans Left
Diversity: Moderate
LGBTQ: Negative
Christianity: Negative
Viewer Rating
7.5
Overview
A witty, perceptive and devastating look at the personal agendas and suppressed revelations swirling among a group of gay men in Manhattan. Harold is celebrating a birthday, and his friend Michael has drafted some other friends to help commemorate the event. As the evening progresses, the alcohol flows, the knives come out, and Michael's demand that the group participate in a devious telephone game, unleashing dormant and unspoken emotions.
Starring Cast
Where to watch
Detailed Bias Analysis
Analyzing...
Center
Primary
The film's central subject matter, depicting the psychological and social impact of homophobia on a marginalized group, aligns its dominant themes with progressive values of social justice and identity.
The film features visible diversity through its inclusion of a Black character within its predominantly white, all-male cast, though it does not involve explicit race or gender swaps of traditionally white roles. Its narrative centers on the experiences of gay men, offering a significant portrayal of a marginalized group, but it does not explicitly frame traditional identities such as white or male characters negatively.
Secondary
This film depicts a group of gay men whose lives are largely defined by self-loathing, internalised homophobia, and profound unhappiness. While groundbreaking for its time in featuring an all-gay cast, the narrative overwhelmingly portrays gay identity as a source of misery and conflict, with little to no positive affirmation.
The film depicts Christianity, specifically Catholicism, as a significant source of guilt, self-hatred, and psychological torment for its gay characters. Their religious upbringing is shown to contribute to their internalized homophobia and inability to find peace, with no counterbalancing positive portrayal of the faith.
The Boys in the Band focuses entirely on the experiences and relationships of a group of gay men in 1960s New York. The film does not feature any identifiable transsexual characters or explore themes related to transsexual identity, therefore, it is not applicable to this evaluation.
The movie does not contain any action or adventure elements.
The 1970 film is a direct adaptation of the 1968 play, retaining all characters as male, consistent with the source material. No characters established as one gender in the play were portrayed as a different gender in the movie.
The 1970 film adaptation of "The Boys in the Band" features the original Off-Broadway cast, with all characters' races matching their established portrayals from the source play. There are no instances of a character's race being changed.
Viewer Rating Breakdown
User Ratings
7.6
7.0
Critic Ratings
9.0
6.5
More Like This
Center
7.6
Sorcerer
(1977)
Political: Center
Diversity: Moderate
Center
7.6
Fiddler on the Roof
(1971)
Political: Center
Diversity: Moderate
Traditional
8.5
High Noon
(1952)
Political: Leans Right
Diversity: Low
Leans Traditional
7.9
First Man
(2018)
Political: Center
Diversity: Low
Center
7.8
The Post
(2017)
Political: Leans Left
Diversity: Low
Leans Progressive
6.8
The Last Rodeo
(2025)
Political: Leans Left
Diversity: Moderate
Leans Traditional
7.0
Escape from Terror: The Teresa Stamper Story
(1995)
Political: Center
Diversity: Low
Traditional
7.3
The Courier
(2020)
Political: Leans Right
Diversity: Low
Center
7.7
September 5
(2024)
Political: Center
Diversity: Moderate
Leans Progressive
8.0
The Big Short
(2015)
Political: Strong Left
Diversity: Low
Progressive
7.6
Wicked
(2024)
Political: Strong Left
Diversity: High
LGBTQ: Positive
Center
6.9
Bad Times at the El Royale
(2018)
Political: Center
Diversity: Moderate
LGBTQ: Neutral
Leans Progressive
8.0
In the Heights
(2021)
Political: Leans Left
Diversity: Moderate
LGBTQ: Positive
Leans Progressive
7.9
Searching
(2018)
Political: Center
Diversity: High
Leans Progressive
7.3
The Lost Bus
(2025)
Political: Leans Left
Diversity: Moderate
Progressive
7.4
Hustlers
(2019)
Political: Strong Left
Diversity: High
LGBTQ: Positive
Traditional
7.6
Sully
(2016)
Political: Leans Right
Diversity: Low
Center
7.9
The Peanut Butter Falcon
(2019)
Political: Center
Diversity: Moderate
Progressive
7.9
Exhibiting Forgiveness
(2024)
Political: Leans Left
Diversity: High
Leans Progressive
7.4
Run
(2020)
Political: Center
Diversity: High