7.5
Viewer Rating
Combines user and critic ratings from four sources
The Fisher King (1991)
The Fisher King (1991)
Overview
A dark comedy-drama about two damaged men who form an unlikely partnership in pursuit of the Holy Grail. Jeff Bridges plays a cynical radio host and Robin Williams a homeless man haunted by his past, both seeking redemption and meaning. Directed by Terry Gilliam, the film weaves together their personal struggles with a mythic quest, exploring how human connection and empathy might heal spiritual emptiness and trauma.
Starring Cast
Where to watch
Rating & Dimensions
Bias Rating
Analyzing...
Leans Traditional
Political: Center
Diversity: Low
Family Values: Leans Progressive
Christianity: Positive
Viewer Rating
7.5
Overview
A dark comedy-drama about two damaged men who form an unlikely partnership in pursuit of the Holy Grail. Jeff Bridges plays a cynical radio host and Robin Williams a homeless man haunted by his past, both seeking redemption and meaning. Directed by Terry Gilliam, the film weaves together their personal struggles with a mythic quest, exploring how human connection and empathy might heal spiritual emptiness and trauma.
Starring Cast
Where to watch
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
The film explores themes of personal redemption, the search for meaning, and the power of human connection in overcoming trauma and spiritual emptiness. It champions individual transformation and empathy as solutions, rather than advocating for specific political ideologies or systemic changes.
The film features a primarily traditional cast without explicit race or gender swaps of established roles. Its narrative maintains a neutral or positive framing of traditional identities, with no significant critique of these identities or explicit DEI themes central to the story.
Secondary
The film explores the formation of deep, supportive bonds between individuals who become a chosen family, emphasizing connection and redemption outside of conventional family structures. It portrays evolving romantic partnerships and the healing power of non-biological relationships.
The film uses Christian mythology, particularly the legend of the Holy Grail, as a framework for a story of redemption and spiritual quest. While a character's literal pursuit of the Grail is born of trauma, the narrative treats the underlying themes of compassion, healing, and the search for meaning with reverence, ultimately affirming these virtues.
The film does not feature any identifiable LGBTQ+ characters or themes. The narrative focuses on heterosexual relationships, mental health, and personal redemption, without incorporating queer identities or storylines.
The film The Fisher King does not include any identifiable transsexual characters or themes. The narrative explores trauma, redemption, and the search for meaning through the intertwined lives of a former radio shock jock and a homeless man on a quest, without engaging with transsexual identity.
The movie does not contain any action or adventure elements.
The Fisher King presents an original story with characters created specifically for the film. There is no prior source material, historical record, or established canon from which character genders could have been altered. Therefore, no gender swaps are present.
The Fisher King is an original screenplay, not an adaptation of a pre-existing work with established character races. The characters were created for the film, and their portrayals do not deviate from any prior canonical or historical racial depictions. No instances of race swapping are present.
Viewer Rating Breakdown
User Ratings
7.5
7.3
Critic Ratings
8.4
6.7
More Like This
Leans Traditional
7.5
The Bells of St. Mary's
(1945)
Political: Center
Diversity: Low
Leans Traditional
8.2
Say Anything...
(1989)
Political: Center
Diversity: Low
Leans Traditional
8.2
My Dinner with Andre
(1981)
Political: Center
Diversity: Low
Leans Traditional
8.0
Juno
(2007)
Political: Center
Diversity: Low
Leans Traditional
7.8
Dinner at Eight
(1933)
Political: Center
Diversity: Low
LGBTQ: Neutral
Leans Traditional
7.9
High Fidelity
(2000)
Political: Center
Diversity: Low
Leans Traditional
7.6
Thank You for Smoking
(2005)
Political: Center
Diversity: Low
Traditional
7.3
Working Girl
(1988)
Political: Leans Right
Diversity: Low
Leans Traditional
8.8
The Apartment
(1960)
Political: Center
Diversity: Low
Leans Traditional
7.7
Knocked Up
(2007)
Political: Center
Diversity: Low
Leans Traditional
6.7
My Big Fat Greek Wedding
(2002)
Political: Center
Diversity: Low
Leans Traditional
7.2
The Paper
(1994)
Political: Center
Diversity: Low
Leans Traditional
7.2
Forgetting Sarah Marshall
(2008)
Political: Center
Diversity: Low
LGBTQ: Neutral
Leans Traditional
7.5
Broadway Bill
(1934)
Political: Center
Diversity: Low
Traditional
6.8
A Boy and His Dog
(1975)
Political: Leans Right
Diversity: Low
LGBTQ: Negative
Traditional
7.4
Woman of the Year
(1942)
Political: Leans Right
Diversity: Low
Traditional
8.3
Manhattan
(1979)
Political: Center
Diversity: Low
LGBTQ: Negative
Leans Traditional
7.9
A Serious Man
(2009)
Political: Center
Diversity: Low
Traditional
7.2
Emma
(1996)
Political: Leans Right
Diversity: Low
Leans Traditional
7.1
Confessions of a Dangerous Mind
(2002)
Political: Center
Diversity: Low