Viewer Rating
Combines user and critic ratings from four sources
Action, Crime • 2026 • 113 min • Adults (18+)

A Chinese-produced martial arts action film directed by Kenji Tanigaki, The Furious follows a father who takes justice into his own hands after his daughter is kidnapped and corrupt police offer no help. A journalist with his own missing-person crisis joins the fight. The premise is classically apolitical: personal vengeance, parental devotion, and fists. The Mixed label reflects a modest tension between signals. The family narrative leans traditional, anchored in a father's protective duty. A young female character holds her own in close-quarters combat, nudging slightly progressive. Pan-Asian casting adds visible diversity without ideological framing. No religious, LGBTQ, or transgender content registers. The signals pull gently in opposite directions, leaving the overall picture balanced.
Miao Xie • Joe Taslim • Enyou Yang
A Chinese-produced martial arts action film directed by Kenji Tanigaki, The Furious follows a father who takes justice into his own hands after his daughter is kidnapped and corrupt police offer no help. A journalist with his own missing-person crisis joins the fight. The premise is classically apolitical: personal vengeance, parental devotion, and fists. The Mixed label reflects a modest tension between signals. The family narrative leans traditional, anchored in a father's protective duty. A young female character holds her own in close-quarters combat, nudging slightly progressive. Pan-Asian casting adds visible diversity without ideological framing. No religious, LGBTQ, or transgender content registers. The signals pull gently in opposite directions, leaving the overall picture balanced.
Miao Xie • Joe Taslim • Enyou Yang
The film's central conflict centers on child trafficking resolved through direct individual action by fathers teaming up against criminals and corrupt officials, yielding an apolitical narrative anchored in personal responsibility rather than systemic or ideological framing.
Pan-Asian casting delivers visible ethnic variety among performers without any recasting of traditionally white roles. The narrative frames antagonists solely through criminal actions rather than identity-based critique.
The film includes a young female character who engages in and contributes to close-quarters physical fights against male opponents during the central action sequences.
Paternal devotion to rescuing an abducted daughter anchors the narrative, framing family protection and parental bonds as the driving force without questioning traditional roles or structures.
There is not enough publicly available information for AI to assess this category for this movie.
No transgender characters or themes appear in the film. The narrative centers exclusively on a rescue mission against child traffickers without any reference to gender identity.
No characters are gender-swapped versions of canonically established figures from prior source material, history, or earlier adaptations. All named roles appear as original creations with matching actor and character genders.
No race swaps occur. All named characters are original creations for this film with no prior canonical racial depictions in source material, prior installments, or historical record.
Combines user and critic ratings from four sources























