5.5
Viewer Rating
Combines user and critic ratings from four sources
The Gambler Returns: The Luck of the Draw (1991)
The Gambler Returns: The Luck of the Draw (1991)
Overview
Hawkes, Jones and Cassidy are on their way to the biggest poker game in history. But a few folks want to see them fold before they even get there.
Starring Cast
Rating & Dimensions
Bias Rating
Analyzing...
Leans Traditional
Political: Center
Diversity: Low
Viewer Rating
5.5
Overview
Hawkes, Jones and Cassidy are on their way to the biggest poker game in history. But a few folks want to see them fold before they even get there.
Starring Cast
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
The film's central subject matter of gambling and personal drama is inherently apolitical, focusing on individual agency and family loyalty without promoting a specific political ideology or critiquing societal structures.
The movie features traditional casting without explicit race or gender swaps of established roles. Its narrative maintains a neutral or positive framing of traditional identities, consistent with its genre and production era.
Secondary
The film does not feature any identifiable LGBTQ+ characters or themes. Its narrative focuses on traditional Western drama elements, primarily following the protagonist's journey without incorporating queer identities or experiences.
This film, a Western TV movie, does not feature any identifiable transsexual characters or themes. The narrative focuses on traditional Western tropes and character arcs, with no elements related to transgender identity or experiences.
The movie does not contain any action or adventure elements.
This film is a direct sequel in an established series. The main characters, Brady Hawkes and Ethan Hawkes, retain their original genders as portrayed in previous installments. No characters from prior canon or source material were depicted with a different gender.
The film is a continuation of a TV movie series based on a song. The main characters, such as Brady Hawkes, maintain their established racial portrayals from previous installments, and there is no evidence of a character being depicted as a different race than their original canon or historical establishment.
Viewer Rating Breakdown
User Ratings
6.5
4.6
Critic Ratings
N/A
N/A
More Like This
Traditional
6.7
Last Stand at Saber River
(1997)
Political: Leans Right
Diversity: Low
Leans Traditional
6.7
The Good, the Bad and Huckleberry Hound
(1988)
Political: Center
Diversity: Low
Traditional
8.6
Daniel Boone: The Wilderness Road
(1961)
Political: Leans Right
Diversity: Low
Traditional
6.5
The Shadow Riders
(1982)
Political: Leans Right
Diversity: Low
Traditional
8.0
Desperado: The Outlaw Wars
(1989)
Political: Leans Right
Diversity: Low
Leans Traditional
8.7
A Freezerburnt Christmas
(2002)
Political: Center
Diversity: Low
Leans Traditional
7.8
Butch Cassidy and the Sundance Kid
(1969)
Political: Center
Diversity: Low
Leans Traditional
7.9
The Magnificent Seven
(1960)
Political: Leans Right
Diversity: Low
Leans Traditional
8.8
The Man in the Funny Suit
(1960)
Political: Center
Diversity: Low
Leans Traditional
7.4
Robert Mitchum: The Reluctant Star
(1991)
Political: Center
Diversity: Low
Leans Traditional
7.1
Twins of Suffering Creek
(1920)
Political: Center
Diversity: Low
Leans Traditional
8.2
The Third Woman
(1920)
Political: Center
Diversity: Low
Traditional
6.7
Lawless
(2012)
Political: Leans Right
Diversity: Low
Leans Traditional
7.2
Far From Home
(2003)
Political: Center
Diversity: Low
Leans Traditional
7.1
Scooby-Doo and the Ghoul School
(1988)
Political: Center
Diversity: Low
Center
7.8
The Powerpuff Girls Rule!!!
(2008)
Political: Center
Diversity: Low
Female Combat: Yes
Leans Traditional
7.3
Scooby-Doo! Shaggy's Showdown
(2017)
Political: Center
Diversity: Low
Center
6.7
Tangled: Before Ever After
(2017)
Political: Center
Diversity: Low
Female Combat: Yes
Traditional
6.9
Snow White and the Seven Dwarfs
(1984)
Political: Leans Right
Diversity: Low
Traditional
7.7
Old Henry
(2021)
Political: Leans Right
Diversity: Low