Leans Traditional
6.7
Rodan
(1956)
Political: Center
Diversity: Low
The Heavenly Being Sugawara (1909)
The Heavenly Being Sugawara (1909)
Overview
Sugawara no Michizane was a poet/politician of the Heian period, who fell from grace and died in exile. It was said that his vengeful ghost was the cause of subsequent plagues, natural disasters, and deaths.
Starring Cast
Rating & Dimensions
Bias Rating
Analyzing...
Traditional
Political: Leans Right
Diversity: Low
Viewer Rating
Not Rated
Overview
Sugawara no Michizane was a poet/politician of the Heian period, who fell from grace and died in exile. It was said that his vengeful ghost was the cause of subsequent plagues, natural disasters, and deaths.
Starring Cast
Detailed Bias Analysis
Analyzing...
Traditional
Primary
The film's resolution, centered on divine retribution and the deification of a historical figure, champions traditional values and a pre-modern understanding of justice and order, aligning with conservative themes rather than modern progressive ideals.
This film, a Japanese production from an early era, features traditional casting appropriate for its cultural and historical context. The narrative focuses on a revered historical figure without incorporating modern DEI critiques or negative portrayals of traditional identities.
Secondary
This early 20th-century Japanese silent film, a historical drama, does not feature any identifiable LGBTQ+ characters or themes. The narrative focuses on traditional historical events and figures, with no elements suggesting queer identity or experiences within its known plot.
Based on available information for the 1912 silent film 'The Heavenly Being Sugawara,' there is no evidence to suggest the presence of transsexual characters or themes. Therefore, an evaluation of its portrayal is not applicable.
The movie does not contain any action or adventure elements.
The film is an adaptation of the historical figure Sugawara no Michizane. Without specific cast or plot details for this 1909 film, there is no evidence to suggest that any canonically established character's gender was altered in its on-screen portrayal.
This 1909 Japanese film likely features characters portrayed by actors of the same race as their historical or canonical Japanese counterparts, consistent with the era and production origin. There is no evidence of a race swap.
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