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The Hit-List (2025)
Daniel's list of past sexual partners falls into wrong hands. A hitman targets eliminating them. Daniel and friends race to stop the killer from harming his fiance Kristina and others on the list.
Daniel's list of past sexual partners falls into wrong hands. A hitman targets eliminating them. Daniel and friends race to stop the killer from harming his fiance Kristina and others on the list.
A man's list of past romantic partners accidentally falls into the hands of a professional killer, who then targets the women on the list. The film focuses on a race against time as the protagonist and his friends attempt to prevent the killer from harming anyone, including his fiancé, driven by a high-stakes misunderstanding rather than explicit political commentary.
Specific details regarding the film's casting choices and narrative themes are not available, making it impossible to assess its diversity, equity, and inclusion characteristics.
The narrative explores a man's path to engagement, where his extensive history of past sexual encounters becomes the central conflict. The film normalizes a protagonist's pre-marital sexual freedom as a foundational element impacting his pursuit of a committed relationship.
The film 'The Hit-List, 2025' follows a man's journey to propose to his girlfriend, complicated by a list of his past heterosexual relationships. The narrative does not feature any identifiable LGBTQ+ characters or themes.
The Hit-List, 2025, does not feature any identifiable transsexual characters or themes. The story centers on a man's past relationships and a professional killer, with no elements related to transsexual identity or experiences within its narrative scope. The plot follows Daniel's efforts to prevent a hitman from targeting women from his past.
The movie does not contain any action or adventure elements.
The film features characters whose on-screen gender aligns with their established gender. There are no instances of characters whose gender differs from their canonical or historical representation.
The film is an original production with no prior source material, established characters, or historical figures. There is no canonical or historical baseline against which to assess a race swap.
Combines user and critic ratings from four sources























