Viewer Rating
Combines user and critic ratings from four sources

The Hunchback of Notre Dame II (2002)
Now that Frollo is gone, Quasimodo rings the bell with the help of his new friend and Esmeralda's and Phoebus' little son, Zephyr. But when Quasi stops by a traveling circus owned by evil magician Sarousch, he falls for Madellaine, Sarouch's assistant.
Now that Frollo is gone, Quasimodo rings the bell with the help of his new friend and Esmeralda's and Phoebus' little son, Zephyr. But when Quasi stops by a traveling circus owned by evil magician Sarousch, he falls for Madellaine, Sarouch's assistant.
The film's central conflict revolves around universal themes of loneliness, finding acceptance, and combating individual greed, which are resolved through personal growth and community cooperation. It lacks any explicit promotion of specific progressive or conservative ideologies, making its core narrative apolitical.
The film features primarily traditional character depictions, consistent with its predecessor and source material, without explicit race or gender swaps of traditionally white roles. Its narrative focuses on universal themes of acceptance and personal growth, maintaining a neutral to positive portrayal of traditional identities without explicit critique.
The film is set within and around Notre Dame Cathedral, which functions as a central community hub and a place of refuge. While not explicitly theological, the presence of benevolent figures like the Archdeacon and the alignment of the protagonists' virtues (acceptance, love) with positive Christian values contribute to a respectful portrayal of the faith and its institutions.
The film "The Hunchback of Notre Dame II" does not feature any identifiable LGBTQ+ characters or themes. The narrative focuses on heterosexual relationships and themes of love, acceptance, and inner beauty without incorporating any queer identities or storylines.
The film 'The Hunchback of Notre Dame II' does not feature any identifiable transsexual characters or themes. Its plot centers on existing and new characters within the established Disney universe, with no elements pertaining to transgender identity.
The movie does not contain any action or adventure elements.
This film is a direct sequel to the 1996 animated movie. All returning characters, such as Quasimodo, Esmeralda, and Phoebus, maintain their established genders from the previous installment. New characters introduced in the sequel do not count as gender swaps.
This film is a direct sequel to the 1996 animated movie. All returning characters maintain their established racial depictions from the prior installment, and new characters do not represent race swaps of existing canon.
Combines user and critic ratings from four sources























