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The Italian Job (2003)
Charlie Croker pulled off the crime of a lifetime. The one thing that he didn't plan on was being double-crossed. Along with a drop-dead gorgeous safecracker, Croker and his team take off to re-steal the loot and end up in a pulse-pounding, pedal-to-the-metal chase that careens up, down, above and below the streets of Los Angeles.
Charlie Croker pulled off the crime of a lifetime. The one thing that he didn't plan on was being double-crossed. Along with a drop-dead gorgeous safecracker, Croker and his team take off to re-steal the loot and end up in a pulse-pounding, pedal-to-the-metal chase that careens up, down, above and below the streets of Los Angeles.
The film's central narrative focuses on a revenge-driven heist to recover stolen gold, emphasizing apolitical themes of betrayal, elaborate planning, and personal retribution rather than promoting any specific political ideology.
The movie features visible diversity within its ensemble cast, including a prominent Black actor and a strong female lead. Its narrative, however, centers on a classic heist plot without explicitly critiquing traditional identities or making diversity, equity, and inclusion themes central to its storyline.
The Italian Job (2003) does not feature any identifiable LGBTQ+ characters or themes. The narrative focuses on a team of thieves planning a gold heist, with character relationships and motivations centered around heterosexual dynamics and professional rivalries. Consequently, there is no LGBTQ+ portrayal to evaluate within the film's storyline.
The film "The Italian Job" (2003) does not feature any identifiable transsexual characters or themes. The narrative focuses on a team of thieves planning and executing a gold heist, with no elements related to transgender identity or experiences present in the plot or character arcs.
The film features Stella Bridger as the primary female character, who is a skilled safe cracker and driver. While she participates in high-stakes action sequences, her role does not involve direct physical combat or martial arts victories against male opponents. No other female characters engage in such combat.
The 2003 film is a reimagining rather than a direct remake, introducing new characters. No established character from the 1969 original is portrayed as a different gender in the 2003 version.
The 2003 film is a remake that introduces a largely new ensemble of characters. While some roles are inspired by the original, no specific character who was canonically established as one race in the 1969 film was portrayed as a different race in the 2003 version.
Combines user and critic ratings from four sources























