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The Kingdom of Heaven (1991)
The Kingdom of Heaven is a series of short stories called parables. As Jesus teaches the people each parable, some begin to understand what the “Kingdom of Heaven” is like. Some have “ears that will not hear” and are not willing to become followers of the Savior. At the Second Coming they will not be counted as His own.
The Kingdom of Heaven is a series of short stories called parables. As Jesus teaches the people each parable, some begin to understand what the “Kingdom of Heaven” is like. Some have “ears that will not hear” and are not willing to become followers of the Savior. At the Second Coming they will not be counted as His own.
The film's central thesis advocates for religious tolerance and interfaith coexistence, strongly critiquing religious extremism and fanaticism as drivers of conflict, which aligns with progressive values.
The film utilizes traditional casting choices, consistent with its animated biblical narrative, without incorporating explicit race or gender swaps for traditionally depicted roles. The narrative maintains a neutral or positive framing of traditional identities, focusing on its core religious themes rather than critiquing traditional identities or centering DEI themes.
The film critiques the hypocrisy, fanaticism, and violence committed by many Christian Crusaders, particularly the Knights Templar and certain leaders, but it champions the faith's ideals of justice, mercy, and tolerance through characters like King Baldwin IV and Balian, who embody a more virtuous path. The narrative condemns the abuse of the faith, not the faith itself.
Islam is portrayed with significant respect and nuance, primarily through the character of Saladin, who embodies honor, wisdom, and mercy. The film highlights the dignity and strategic brilliance of Muslim leadership and adherence to their faith's principles, offering a counter-narrative to historical Western biases.
The Kingdom of Heaven does not include any discernible LGBTQ+ characters or themes. The narrative focuses on historical events and heterosexual relationships, resulting in no portrayal of queer identity within the film's scope.
The historical epic 'The Kingdom of Heaven' does not include any identifiable transsexual characters or explore themes related to gender identity or transition. The narrative focuses exclusively on the political, religious, and military conflicts of the Crusades, rendering the framework for transsexual portrayal inapplicable.
The movie does not contain any action or adventure elements.
The film "Kingdom of Heaven" (2005), a historical drama, portrays its main characters—many based on historical figures—with their historically documented or canonically established genders. No instances of characters being depicted with a different gender than their source material or historical record are present.
The film identified by the provided metadata, 'The Princess and the Goblin' (1991), adapts the 1872 novel. Its main characters, implicitly depicted as white in the source material, are portrayed as white in the film. No characters established as one race in the source material are depicted as a different race.
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