6.3
Viewer Rating
Combines user and critic ratings from four sources
The Last Command (1955)
The Last Command (1955)
Overview
During the Texas War of Independence of 1836 American frontiersman and pioneer Jim Bowie pleads for caution with the rebellious Texicans. They don't heed his advice since he's a Mexican citizen, married to the daughter of the Mexican vice-governor of the province and a friend to General Santa Anna since the days they had fought together for Mexico's independence. After serving as president for 22 years, Santa Anna has become too powerful and arrogant. He rules Mexico with an iron fist and he would not allow Texas to self-govern. Bowie sides with the Texans in their bid for independence and urges a cautious strategy, given Santa Anna's power and cunning. Despite the disagreement between the Texicans and Bowie regarding the right strategy they ask Bowie to lead them in a last-ditch stand, at Alamo, against General Santa Anna's numerically superior forces.
Starring Cast
Where to watch
Rating & Dimensions
Bias Rating
Analyzing...
Traditional
Political: Leans Right
Diversity: Low
Christianity: Positive
Viewer Rating
6.3
Overview
During the Texas War of Independence of 1836 American frontiersman and pioneer Jim Bowie pleads for caution with the rebellious Texicans. They don't heed his advice since he's a Mexican citizen, married to the daughter of the Mexican vice-governor of the province and a friend to General Santa Anna since the days they had fought together for Mexico's independence. After serving as president for 22 years, Santa Anna has become too powerful and arrogant. He rules Mexico with an iron fist and he would not allow Texas to self-govern. Bowie sides with the Texans in their bid for independence and urges a cautious strategy, given Santa Anna's power and cunning. Despite the disagreement between the Texicans and Bowie regarding the right strategy they ask Bowie to lead them in a last-ditch stand, at Alamo, against General Santa Anna's numerically superior forces.
Starring Cast
Where to watch
Detailed Bias Analysis
Analyzing...
Traditional
Primary
The film's narrative, centered on the Battle of the Alamo, champions themes of patriotism, individual courage, and the defense of liberty against an oppressive foreign power, aligning with conservative values.
This 1955 film likely features traditional casting practices, consistent with the era's norms, without explicit race or gender swaps. The narrative is also expected to maintain a neutral or positive framing of traditional identities, rather than offering critiques or centering explicit DEI themes.
Secondary
The film implicitly portrays the Christian faith of its heroic characters as a source of moral strength and resolve during the Battle of the Alamo. The narrative aligns with virtues often associated with the faith, such as courage, sacrifice, and a sense of duty.
Due to the absence of specific information regarding LGBTQ+ characters or themes for 'The Last Command, 1955', a comprehensive assessment of its portrayal cannot be accurately determined.
The film 'The Last Command, 1955' does not feature any identifiable transsexual characters or themes. Consequently, there is no portrayal to evaluate regarding transsexual identity or related narratives within the film's scope.
The movie does not contain any action or adventure elements.
The Last Command (1955) is a historical drama depicting real historical figures like Jim Bowie and William Barret Travis, who are portrayed by actors of the same gender as the historical individuals. Original characters created for the film do not count as gender swaps per the definition.
The film depicts historical figures from the Battle of the Alamo, such as Jim Bowie and William Barret Travis, who were historically white. The actors portraying these roles are also white. There is no evidence of any character being portrayed by an actor of a different race than their established historical or canonical background.
Viewer Rating Breakdown
User Ratings
6.3
6.4
Critic Ratings
N/A
N/A
More Like This
Traditional
6.7
Battle of the Bulge
(1965)
Political: Leans Right
Diversity: Low
Leans Traditional
7.1
What Have We Learned, Charlie Brown?
(1983)
Political: Center
Diversity: Low
Leans Traditional
8.2
Barry Lyndon
(1975)
Political: Center
Diversity: Low
Traditional
8.3
Patton
(1970)
Political: Leans Right
Diversity: Low
Traditional
8.1
Shenandoah
(1965)
Political: Leans Right
Diversity: Low
Leans Traditional
8.2
1917
(2019)
Political: Center
Diversity: Low
Traditional
7.7
Braveheart
(1995)
Political: Leans Right
Diversity: Low
LGBTQ: Negative
Traditional
8.8
Saving Private Ryan
(1998)
Political: Leans Right
Diversity: Low
Leans Traditional
7.7
The Thin Red Line
(1998)
Political: Center
Diversity: Low
Traditional
6.8
We Were Soldiers
(2002)
Political: Leans Right
Diversity: Low
Leans Traditional
7.5
The Fall of the Roman Empire
(1964)
Political: Center
Diversity: Low
Traditional
7.8
El Cid
(1961)
Political: Leans Right
Diversity: Low
Leans Traditional
7.3
War Horse
(2011)
Political: Center
Diversity: Low
Leans Traditional
7.6
The Lost Squadron
(1932)
Political: Center
Diversity: Low
Traditional
7.5
Black Hawk Down
(2001)
Political: Leans Right
Diversity: Low
Traditional
6.7
The Patriot
(2000)
Political: Strong Right
Diversity: Low
Traditional
7.0
The Birth of a Nation
(1915)
Political: Strong Right
Diversity: Low
Leans Traditional
7.8
Butch Cassidy and the Sundance Kid
(1969)
Political: Center
Diversity: Low
Leans Traditional
6.7
A Bridge Too Far
(1977)
Political: Center
Diversity: Low
Leans Traditional
7.5
The Outpost
(2020)
Political: Leans Right
Diversity: Moderate