6.3
Viewer Rating
Combines user and critic ratings from four sources
The Last House on the Left (1972)
The Last House on the Left (1972)
Overview
On the eve of her 17th birthday, Mari and friend Phyllis set off from her family home to attend a rock concert in the city. Attempting to score some drugs on the way, the pair run afoul of a group of vicious crooks, headed up by the sadistic Krug.
Starring Cast
Where to watch
Rating & Dimensions
Bias Rating
Analyzing...
Leans Traditional
Political: Center
Diversity: Low
Viewer Rating
6.3
Overview
On the eve of her 17th birthday, Mari and friend Phyllis set off from her family home to attend a rock concert in the city. Attempting to score some drugs on the way, the pair run afoul of a group of vicious crooks, headed up by the sadistic Krug.
Starring Cast
Where to watch
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
The film explores the raw, visceral themes of revenge and the breakdown of societal norms in the face of extreme violence, without explicitly promoting a specific political ideology or offering a politically charged solution.
The film features traditional casting with no apparent intentional diversity in its main roles. The narrative focuses on themes of violence and revenge without incorporating any critique of traditional identities or explicit DEI themes.
Secondary
The film 'The Last House on the Left, 1972' does not feature any identifiable LGBTQ+ characters or themes. Its narrative is solely centered on a brutal crime and subsequent parental revenge, with no elements related to queer identity or experiences.
The film 'The Last House on the Left, 1972' does not feature any identifiable transsexual characters or themes. The narrative centers on a brutal crime and subsequent parental revenge, with no elements related to transsexual identity. Therefore, there is no portrayal to evaluate within the scope of this film.
The movie does not contain any action or adventure elements.
The 1972 film is an adaptation of Ingmar Bergman's 'The Virgin Spring.' A review of the main characters and their counterparts reveals no instances where a character canonically established as one gender in the source material is portrayed as a different gender in this adaptation. New characters introduced in the adaptation do not count as gender swaps.
The 1972 film is an adaptation of a 1960 Swedish film. The main characters, originally portrayed by white actors, are also portrayed by white actors in this adaptation, with no racial changes from the source material.
Viewer Rating Breakdown
User Ratings
5.8
6.0
Critic Ratings
6.4
6.8
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