6.8
Viewer Rating
Combines user and critic ratings from four sources
The Life and Death of 9413: A Hollywood Extra (1928)
The Life and Death of 9413: A Hollywood Extra (1928)
Overview
This short experimental film tells the story of a man who comes to Hollywood to become a star, only to fail and be dehumanized. He is identified by the number 9413 written on his forehead.
Starring Cast
Rating & Dimensions
Bias Rating
Analyzing...
Leans Progressive
Political: Strong Left
Diversity: Low
Viewer Rating
6.8
Overview
This short experimental film tells the story of a man who comes to Hollywood to become a star, only to fail and be dehumanized. He is identified by the number 9413 written on his forehead.
Starring Cast
Detailed Bias Analysis
Analyzing...
Leans Progressive
Primary
The film's central thesis explicitly critiques the dehumanizing and exploitative nature of the Hollywood studio system, portraying the individual as a disposable commodity within a powerful, indifferent industry, which aligns with progressive systemic critiques.
This 1928 avant-garde silent film features traditional casting typical of its era, with no intentional diversity-driven choices. Its narrative focuses on a critique of the Hollywood system's dehumanizing effects rather than engaging with modern DEI themes or offering a critical portrayal of traditional identities.
Secondary
The film, an experimental silent satire from 1928, critiques the Hollywood system through the story of an aspiring actor. Its narrative and themes are entirely focused on the protagonist's journey and the industry's impact, with no identifiable LGBTQ+ characters or themes present in the story.
This 1928 experimental silent film, 'The Life and Death of 9413: A Hollywood Extra,' does not feature any identifiable transsexual characters or themes. The narrative is a satire on the Hollywood system, focusing on an extra's struggles, with no elements related to transgender identity or experiences.
The movie does not contain any action or adventure elements.
This 1928 film is an original story, not an adaptation of pre-existing material or a biopic. All characters were created for this specific film, meaning there are no prior established canonical or historical genders to be swapped.
This 1928 film is an original, experimental silent movie. It does not adapt characters from prior source material, historical records, or previous installments, meaning there are no pre-established racial identities to be altered.
Viewer Rating Breakdown
User Ratings
7.1
6.5
Critic Ratings
N/A
N/A
More Like This
Leans Progressive
7.4
My Own Private Idaho
(1991)
Political: Leans Left
Diversity: Moderate
LGBTQ: Positive
Leans Progressive
7.5
Sylvie's Love
(2020)
Political: Center
Diversity: High
Leans Progressive
6.9
Changeling
(2008)
Political: Leans Left
Diversity: Moderate
Leans Progressive
6.9
Runaway Jury
(2003)
Political: Leans Left
Diversity: Moderate
Progressive
7.4
Woman of the Hour
(2024)
Political: Strong Left
Diversity: High
Progressive
7.9
The Visitor
(2008)
Political: Strong Left
Diversity: High
Leans Progressive
6.9
Amazing Grace
(2006)
Political: Leans Left
Diversity: Moderate
Progressive
7.6
Da 5 Bloods
(2020)
Political: Strong Left
Diversity: High
Progressive
6.9
Remember the Titans
(2000)
Political: Leans Left
Diversity: High
Leans Progressive
6.8
The Merchant of Venice
(2004)
Political: Leans Left
Diversity: Moderate
Leans Progressive
7.0
Slums of Beverly Hills
(1998)
Political: Leans Left
Diversity: Low
LGBTQ: Positive
Progressive
6.7
Ali
(2001)
Political: Strong Left
Diversity: High
Leans Progressive
8.4
The Holdovers
(2023)
Political: Leans Left
Diversity: Moderate
LGBTQ: Neutral
Leans Progressive
7.5
Gorillas in the Mist
(1988)
Political: Leans Left
Diversity: Moderate
Progressive
7.6
Philadelphia
(1993)
Political: Strong Left
Diversity: High
LGBTQ: Positive
Progressive
8.1
Cabaret
(1972)
Political: Strong Left
Diversity: Moderate
LGBTQ: Positive
Progressive
7.7
She Said
(2022)
Political: Strong Left
Diversity: High
Progressive
6.8
Spirit: Stallion of the Cimarron
(2002)
Political: Strong Left
Diversity: High
Progressive
7.8
May December
(2023)
Political: Leans Left
Diversity: High
LGBTQ: Positive
Leans Progressive
6.9
The Longest Yard
(1974)
Political: Leans Left
Diversity: Moderate