5.4
Viewer Rating
Combines user and critic ratings from four sources
The Mexican (2001)
The Mexican (2001)
Overview
Jerry Welbach, a reluctant bagman, has been given two ultimatums: The first is from his mob boss to travel to Mexico and retrieve a priceless antique pistol, known as "the Mexican"... or suffer the consequences. The second is from his girlfriend Samantha to end his association with the mob. Jerry figures alive and in trouble with Samantha is better than the more permanent alternative, so he heads south of the border.
Starring Cast
Where to watch
Rating & Dimensions
Bias Rating
Analyzing...
Center
Political: Center
Diversity: Low
LGBTQ: Positive
Trans: Positive
Viewer Rating
5.4
Overview
Jerry Welbach, a reluctant bagman, has been given two ultimatums: The first is from his mob boss to travel to Mexico and retrieve a priceless antique pistol, known as "the Mexican"... or suffer the consequences. The second is from his girlfriend Samantha to end his association with the mob. Jerry figures alive and in trouble with Samantha is better than the more permanent alternative, so he heads south of the border.
Starring Cast
Where to watch
Detailed Bias Analysis
Analyzing...
Center
Primary
The film primarily focuses on apolitical themes of personal relationships, individual choices, and comedic situations within a crime narrative. While it contains subtle elements that could be interpreted as left-leaning (e.g., subversion of traditional masculinity) or right-leaning (e.g., individual responsibility), these do not form a central ideological thesis, resulting in a neutral rating.
The movie features a predominantly traditional cast with mainstream white actors in leading roles, and its narrative does not offer a critical portrayal of traditional identities. While a supporting character is gay, this does not indicate explicit DEI-driven casting or a central DEI critique within the story.
Secondary
The Mexican features Winston Baldry, a gay hitman, as a complex and significant character. His sexuality is presented with dignity, and his grief for his deceased lover is portrayed empathetically. Despite his profession and tragic end, the film affirms his humanity and capacity for love, resulting in a net positive portrayal of an LGBTQ+ character.
The film features Frank, a transsexual hitwoman, whose identity is revealed and explored with empathy. Samantha's character develops a supportive bond with Frank, treating her with dignity. Despite Frank's criminal role and tragic end, her trans identity is not a source of ridicule or degradation, leading to a net positive portrayal.
The film primarily focuses on Jerry and Samantha's journey and relationship. Samantha Barzel, the main female character, is not depicted as engaging in or winning close-quarters physical combat against male opponents. No other female characters participate in such combat.
The Mexican is an original screenplay, not an adaptation of existing material or a depiction of historical figures. All characters were created for this film, therefore, there are no instances of characters being portrayed with a different gender than their established canonical or historical gender.
The Mexican is an original screenplay, not an adaptation of pre-existing material or a biopic. Its characters were created for this film, thus lacking any prior canonical or historical racial identity to be altered.
Viewer Rating Breakdown
User Ratings
6.1
5.9
Critic Ratings
5.4
4.3
More Like This
Center
6.9
Everyone Says I Love You
(1996)
Political: Center
Diversity: Low
LGBTQ: Positive
Leans Traditional
6.7
Spy Game
(2001)
Political: Center
Diversity: Low
Leans Traditional
6.5
Pretty Woman
(1990)
Political: Center
Diversity: Low
Leans Traditional
7.0
Megamind
(2010)
Political: Center
Diversity: Low
Center
7.4
The Bad Guys
(2022)
Political: Center
Diversity: Moderate
Female Combat: Yes
Center
7.3
The Unbearable Weight of Massive Talent
(2022)
Political: Center
Diversity: Moderate
Center
6.9
Abigail
(2024)
Political: Center
Diversity: Moderate
Progressive
6.6
Babylon
(2022)
Political: Center
Diversity: High
LGBTQ: Positive
Leans Progressive
6.8
The Other Guys
(2010)
Political: Strong Left
Diversity: Moderate
Leans Progressive
7.5
Scott Pilgrim vs. the World
(2010)
Political: Center
Diversity: Moderate
LGBTQ: Positive
Center
7.4
The Curious Case of Benjamin Button
(2008)
Political: Center
Diversity: Moderate
Center
7.1
Charlie Wilson's War
(2007)
Political: Leans Left
Diversity: Low
Center
8.0
Se7en
(1995)
Political: Center
Diversity: Moderate
Leans Progressive
9.7
Wall-E
(2008)
Political: Strong Left
Diversity: Moderate
Leans Traditional
7.0
The Mask
(1994)
Political: Center
Diversity: Low
Leans Traditional
7.6
Guys and Dolls
(1955)
Political: Center
Diversity: Low
Center
7.7
Ocean's Eleven
(2001)
Political: Center
Diversity: Moderate
Center
6.6
Rush Hour
(1998)
Political: Center
Diversity: Moderate
Leans Traditional
8.4
The General
(1926)
Political: Center
Diversity: Low
Leans Progressive
6.7
I Love You Phillip Morris
(2010)
Political: Leans Left
Diversity: Moderate
LGBTQ: Positive