Leans Traditional
7.7
10 Cloverfield Lane
(2016)
Political: Center
Diversity: Low
The Model, The Mannequin, and Me (2025)
The Model, The Mannequin, and Me (2025)
Overview
Indie horror about a fashion designer whose business is disrupted by two military-issue mannequins from a secret government experiment. Directed by and starring Sheldon Woodson, with Michael Alveraz and Clifford Henry. Low-budget production that premiered at LIFT-OFF Global Network Los Angeles 2025.
Starring Cast
Rating & Dimensions
Bias Rating
Analyzing...
Leans Traditional
Political: Leans Right
Diversity: Moderate
Family Values: Mixed
Viewer Rating
Not Rated
Overview
Indie horror about a fashion designer whose business is disrupted by two military-issue mannequins from a secret government experiment. Directed by and starring Sheldon Woodson, with Michael Alveraz and Clifford Henry. Low-budget production that premiered at LIFT-OFF Global Network Los Angeles 2025.
Starring Cast
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
The central conflict revolves around a government experiment deploying military mannequins as surveillance and lethal tools, highlighting vulnerabilities to state and corporate control. This framework underscores skepticism toward institutional power and programmed societal behaviors as the decisive ideological lean.
The film features a diverse cast with Black and Latino actors in key roles, reflecting visible representation in an indie horror production. The narrative focuses on a supernatural threat from military origins without centering critiques of traditional identities or advancing explicit DEI messaging.
Secondary
The film contains no significant depictions of family structures, roles, or values, focusing instead on a sci-fi horror premise involving a designer and sentient mannequins. This absence of family content leads to a neutral portrayal.
The film contains no identifiable LGBTQ+ characters or themes, resulting in no portrayal to evaluate.
The film features no transgender characters or themes. Its narrative centers on a designer's encounter with animated military mannequins, without addressing gender identity or related topics.
The movie does not contain any action or adventure elements.
The film presents an original narrative involving a designer and sentient military mannequins, featuring newly created characters without ties to prior source material, historical figures, or reboots. No instances of gender swaps occur.
The film presents original characters without established racial baselines from source material, adaptations, or history, so no race swaps occur.
More Like This
Leans Traditional
7.4
Redux Redux
(2025)
Political: Center
Diversity: Low
Leans Traditional
7.7
A Quiet Place Part II
(2021)
Political: Center
Diversity: Low
Leans Traditional
8.2
Dr. Jekyll and Mr. Hyde
(1931)
Political: Center
Diversity: Low
Leans Traditional
7.4
The Beast from 20,000 Fathoms
(1953)
Political: Center
Diversity: Low
Traditional
6.5
Stoker
(2013)
Political: Center
Diversity: Low
LGBTQ: Negative
Leans Traditional
6.9
Primer
(2004)
Political: Center
Diversity: Low
Leans Traditional
8.4
The Unknown
(1927)
Political: Center
Diversity: Low
Leans Traditional
7.1
Inland Empire
(2006)
Political: Center
Diversity: Low
Traditional
6.7
Signs
(2002)
Political: Leans Right
Diversity: Low
Leans Traditional
7.5
The Fly
(1958)
Political: Center
Diversity: Low
Leans Traditional
7.4
Time After Time
(1979)
Political: Center
Diversity: Low
Leans Traditional
6.5
The Bad Seed
(1956)
Political: Center
Diversity: Low
Leans Traditional
8.0
Black Swan
(2010)
Political: Center
Diversity: Low
LGBTQ: Neutral
Leans Traditional
7.2
The Skull
(1913)
Political: Not Rated
Diversity: Low
Leans Traditional
8.4
Frankenstein
(1931)
Political: Center
Diversity: Low
Leans Traditional
7.1
A Quiet Place: Day One
(2024)
Political: Leans Right
Diversity: Moderate
Leans Traditional
8.5
Gravity
(2013)
Political: Center
Diversity: Low
Leans Traditional
7.0
The Lost Boys
(1987)
Political: Center
Diversity: Low
Leans Traditional
8.5
Invasion of the Body Snatchers
(1956)
Political: Center
Diversity: Low