MovieBias

See all results for ""
BrowseAnalyticsAbout

The Mule (2018)

The Mule poster

The Mule (2018)

Overview

Earl Stone, a man in his eighties, is broke, alone, and facing foreclosure of his business when he is offered a job that simply requires him to drive. Easy enough, but, unbeknownst to Earl, he's just signed on as a drug courier for a Mexican cartel. He does so well that his cargo increases exponentially, and Earl hit the radar of hard-charging DEA agent Colin Bates.


Starring Cast


Where to watch

Apple TV logoApple TV
Google Play logoGoogle Play
Fandango
Powered byJustWatch

Rating & Dimensions

Bias Rating
Analyzing...
Leans Traditional

Political: Leans Right
Diversity: Moderate
Trans: Neutral
Christianity: Positive

Viewer Rating
6.7

Overview

Earl Stone, a man in his eighties, is broke, alone, and facing foreclosure of his business when he is offered a job that simply requires him to drive. Easy enough, but, unbeknownst to Earl, he's just signed on as a drug courier for a Mexican cartel. He does so well that his cargo increases exponentially, and Earl hit the radar of hard-charging DEA agent Colin Bates.


Starring Cast


Where to watch

Apple TV logoApple TV
Google Play logoGoogle Play
Fandango
Powered byJustWatch

Detailed Bias Analysis

Analyzing...
Leans Traditional

Primary

The film leans right by emphasizing individual responsibility for one's choices and the importance of personal redemption and family reconciliation as solutions to life's problems, rather than focusing on systemic critiques.

The movie features visible diversity within its supporting cast, particularly among law enforcement and cartel characters, which aligns with the film's real-world context. However, it does not include explicit race or gender swaps of traditionally white roles. The narrative centers on an elderly white male protagonist, exploring his personal journey and regrets without critically portraying traditional identities or explicitly highlighting DEI themes.

Secondary

The film features a brief scene where the protagonist, Earl, initially misgenders his granddaughter's trans fiancée. He is immediately corrected and subsequently apologizes and accepts her, even dancing with her. This moment serves to highlight Earl's character development, presenting trans identity incidentally without a strong positive or negative arc, ultimately resolving in acceptance.

The film portrays Christian practices, such as church attendance and funeral rites, as a source of comfort and community for Earl's family. Themes of forgiveness and redemption, central to the narrative, align positively with spiritual values often associated with the faith, without any critique of the religion itself.

The Mule does not feature any identifiable LGBTQ+ characters or themes. The narrative centers on an elderly man's involvement in drug trafficking and his personal life, with no elements related to queer identity.

The movie does not contain any action or adventure elements.

The film is based on the true story of Leo Sharp, a male drug courier, portrayed by Clint Eastwood as a male character. All other significant characters are either original to the film or maintain their historical/canonical gender. No established characters were portrayed with a different gender.

The film is based on the true story of Leo Sharp, a white man, portrayed by Clint Eastwood, also white. Other characters are either fictionalized or new creations for the film, without pre-established racial identities in source material or history. Therefore, no race swaps occurred.


Viewer Rating Breakdown

6.7

Viewer Rating

Combines user and critic ratings from four sources

User Ratings

IMDB logo
7.0
The Movie Database logo
6.9

Critic Ratings

Rotten Tomatoes logo
7.0
Metacritic logo
5.8

More Like This

Mystic River poster
Center
8.2
Mystic River
 (2003)
Political: Center
Diversity: Low
Coogan's Bluff poster
Traditional
7.4
Coogan's Bluff
 (1968)
Political: Leans Right
Diversity: Low
A Perfect World poster
Leans Traditional
7.4
A Perfect World
 (1993)
Political: Center
Diversity: Low
The Gauntlet poster
Traditional
6.6
The Gauntlet
 (1977)
Political: Leans Right
Diversity: Low
The Departed poster
Center
8.6
The Departed
 (2006)
Political: Center
Diversity: Low
Play Misty for Me poster
Leans Traditional
7.5
Play Misty for Me
 (1971)
Political: Center
Diversity: Low
The Talented Mr. Ripley poster
Traditional
7.7
The Talented Mr. Ripley
 (1999)

Political: Center
Diversity: Low
LGBTQ: Negative
Donnie Brasco poster
Leans Traditional
7.9
Donnie Brasco
 (1997)
Political: Center
Diversity: Low
Marathon Man poster
Leans Traditional
7.3
Marathon Man
 (1976)
Political: Center
Diversity: Low
Red Rock West poster
Leans Traditional
7.8
Red Rock West
 (1993)
Political: Center
Diversity: Low
A Bronx Tale poster
Traditional
8.3
A Bronx Tale
 (1993)
Political: Leans Right
Diversity: Low
Rope poster
Traditional
8.1
Rope
 (1948)

Political: Center
Diversity: Low
LGBTQ: Negative
Wrath of Man poster
Traditional
6.8
Wrath of Man
 (2021)
Political: Leans Right
Diversity: Low
Stillwater poster
Leans Traditional
6.7
Stillwater
 (2021)

Political: Center
Diversity: Low
LGBTQ: Neutral
Once Upon a Time in America poster
Leans Traditional
8.2
Once Upon a Time in America
 (1984)
Political: Center
Diversity: Low
Fargo poster
Leans Traditional
8.5
Fargo
 (1996)
Political: Center
Diversity: Low
Lawless poster
Traditional
6.7
Lawless
 (2012)
Political: Leans Right
Diversity: Low
The Conversation poster
Leans Traditional
8.4
The Conversation
 (1974)
Political: Center
Diversity: Low
Boiler Room poster
Leans Traditional
6.7
Boiler Room
 (2000)
Political: Center
Diversity: Low
Little Caesar poster
Traditional
7.9
Little Caesar
 (1931)
Political: Leans Right
Diversity: Low
MovieBias

Privacy PolicyTerms of ServiceCookies PolicyAI Policy

Copyright 2025 © moviebias.com