8.4
Viewer Rating
Combines user and critic ratings from four sources
The Music Room (1958)
The Music Room (1958)
Overview
An aging, decadent landlord’s passion for music becomes the undoing of his legacy as he sacrifices his wealth in order to compete with the opulent music room of his younger, richer neighbour.
Starring Cast
Where to watch
Rating & Dimensions
Bias Rating
Analyzing...
Center
Political: Center
Diversity: Moderate
Hinduism: Positive
Viewer Rating
8.4
Overview
An aging, decadent landlord’s passion for music becomes the undoing of his legacy as he sacrifices his wealth in order to compete with the opulent music room of his younger, richer neighbour.
Starring Cast
Where to watch
Detailed Bias Analysis
Analyzing...
Center
Primary
The film objectively portrays the tragic downfall of a proud zamindar, exploring the clash between a dying aristocratic tradition and emerging modernity without explicitly endorsing or condemning either side. Its focus is on individual character and the human cost of historical change, rather than a political agenda.
The film features a cast authentic to its Bengali cultural setting, depicting various social strata without engaging in explicit DEI-driven casting as defined by Western frameworks. The narrative subtly critiques the traditional male protagonist's adherence to outdated values, which ultimately leads to his tragic downfall.
Secondary
The film portrays a traditional Hindu aristocratic family, depicting their cultural practices and rituals with respect and nuance. While the protagonist's pride and inability to adapt lead to his downfall, these flaws are personal and not attributed to his religious beliefs. The narrative evokes sympathy for a fading way of life, showcasing its dignity and cultural richness.
The Music Room is a drama centered on a zamindar's struggle with financial ruin and his devotion to tradition. The film does not feature any discernible LGBTQ+ characters, relationships, or themes, resulting in no portrayal of queer identity within its narrative.
The Music Room, a 1958 film by Satyajit Ray, explores themes of class, tradition, and decline through the story of an aristocratic landlord. The movie does not include any transsexual characters or related themes, thus there is no depiction to evaluate.
The movie does not contain any action or adventure elements.
The Music Room is an original screenplay by Satyajit Ray, based on a short story. The film does not feature characters whose genders were previously established differently in widely recognized source material, prior adaptations, or historical records.
The Music Room is an Indian film set in Bengal, featuring Bengali characters. The casting aligns with the characters' established race in the source material and setting, with no instances of a character canonically established as one race being portrayed as another.
Viewer Rating Breakdown
User Ratings
7.8
7.5
Critic Ratings
10.0
N/A
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