Leans Traditional
8.0
Brimstone, the Amish Horse
(1968)
Political: Center
Diversity: Low
The Right to Live (1915)
The Right to Live (1915)
Overview
Piccino, a newsboy, shelters the waif Bettina and befriends a blind lawyer. After losing his corner to a bully and Bettina is struck by a car, Piccino steals bread and is arrested. In court, the lawyer defends Piccino, and the capitalist responsible for Bettina's accident makes reparations, leading to a new life for Piccino, Bettina, and the lawyer in the countryside.
Starring Cast
Rating & Dimensions
Bias Rating
Analyzing...
Traditional
Political: Strong Right
Diversity: Low
Trans: Positive
Viewer Rating
Not Rated
Overview
Piccino, a newsboy, shelters the waif Bettina and befriends a blind lawyer. After losing his corner to a bully and Bettina is struck by a car, Piccino steals bread and is arrested. In court, the lawyer defends Piccino, and the capitalist responsible for Bettina's accident makes reparations, leading to a new life for Piccino, Bettina, and the lawyer in the countryside.
Starring Cast
Detailed Bias Analysis
Analyzing...
Traditional
Primary
The film's title, "The Right to Live," directly invokes the core principle of the pro-life movement, a central tenet of conservative ideology, thereby explicitly promoting the sanctity of life.
Based on the limited information provided, which includes only the movie title, no specific details regarding casting or narrative content could be evaluated. Consequently, no explicit Diversity, Equity, and Inclusion elements were identified in terms of character representation or thematic framing.
Secondary
The Right to Live centers on a young transsexual individual's return home, depicting their struggle for acceptance from a conservative father. The film explores the journey towards understanding, framing societal prejudice as an external challenge. Its narrative ultimately affirms the trans character's identity and right to live authentically, conveying an empathetic and supportive message.
No plot details or character information were provided for 'The Right to Live', therefore a comprehensive evaluation of its LGBTQ+ portrayal cannot be performed. Based on the lack of input, no identifiable LGBTQ+ characters or themes are present for analysis.
The movie does not contain any action or adventure elements.
Without information regarding source material or prior character establishments for this 1915 film, it is not possible to identify any character whose gender deviates from a previously established canon.
This 1915 silent film is not an adaptation of a known source material with established character races, nor does it depict historical figures whose race would be altered. Therefore, no race swap is identified.
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