Viewer Rating
Combines user and critic ratings from four sources

Brimstone, the Amish Horse (1968)
An Amish minister buys a crippled championship steeplechase horse and nurses him back to health. But the horse has not lost his yearning for the racetrack, a trait not appreciated in the strict Amish world.
An Amish minister buys a crippled championship steeplechase horse and nurses him back to health. But the horse has not lost his yearning for the racetrack, a trait not appreciated in the strict Amish world.
The film's central subject matter, an Amish horse, is inherently broad and lacks a strong, inherent political valence in mainstream US discourse. It is most likely to explore universal themes within a specific cultural context, rather than explicitly promoting progressive or conservative ideologies.
Based on its title, the movie is expected to feature traditional casting consistent with an Amish community setting, focusing on an animal. The narrative is not anticipated to include explicit critiques of traditional identities or central DEI themes, aligning with the implied cultural context.
The film, centered on an "Amish Horse," likely explores the daily life, values, and community of the Amish, whose existence is deeply rooted in their Anabaptist Christian faith. Such narratives typically portray the Amish way of life with respect, highlighting their commitment to community, simplicity, and religious devotion, rather than critiquing the faith itself.
Brimstone, the Amish Horse is a film centered on an animal within an Amish setting. It does not include any discernible LGBTQ+ characters or themes, resulting in no specific portrayal to evaluate. The narrative focuses on other aspects of its story.
Given the film's title, 'Brimstone, the Amish Horse,' and the lack of any specific plot or character information, there are no identifiable transsexual characters or themes present. Therefore, the film's net impact on such portrayals is N/A.
The film's premise, centered around an Amish horse, does not suggest the presence of combat scenes. There are no indications of female characters engaging in or winning physical fights against male opponents.
As an original film from 1968, there is no prior source material, historical record, or established canon to compare its characters against. Therefore, no character's gender could have been swapped from a pre-existing portrayal.
The film's central character is an Amish horse. The concept of a 'race swap' as defined applies to human characters or characters with established human-like racial identities, which does not pertain to an animal.
Combines user and critic ratings from four sources























