7.0
Viewer Rating
Combines user and critic ratings from four sources
The Savage Eye (1960)
The Savage Eye (1960)
Overview
Resentful after an ugly divorce from her unfaithful husband, Judith McGuire moves to Los Angeles. Adrift and detached, she spends her days and nights wandering through her new city, cynically remarking on the hypocrisy, vanity and brutality of the modern world and humanity's alienation from themselves and each other.
Starring Cast
Where to watch
Rating & Dimensions
Bias Rating
Analyzing...
Center
Political: Leans Left
Diversity: Low
Christianity: Negative
Viewer Rating
7.0
Overview
Resentful after an ugly divorce from her unfaithful husband, Judith McGuire moves to Los Angeles. Adrift and detached, she spends her days and nights wandering through her new city, cynically remarking on the hypocrisy, vanity and brutality of the modern world and humanity's alienation from themselves and each other.
Starring Cast
Where to watch
Detailed Bias Analysis
Analyzing...
Center
Primary
The film's dominant themes, including its critique of consumerism, urban alienation, and the objectification of women, align with progressive values by highlighting the dehumanizing aspects of modern society, despite offering no explicit political solution.
The 1959 docudrama 'The Savage Eye' features traditional casting for its era, focusing on a white female protagonist without explicit race or gender swaps. The narrative explores themes of alienation and societal observation, but does not explicitly critique traditional identities or center DEI themes.
Secondary
The film portrays a world of profound spiritual emptiness and alienation where traditional Christian institutions and symbols are present but offer no solace or meaning to the suffering individuals. The narrative highlights their perceived irrelevance in addressing modern despair.
The film focuses on the psychological journey of a divorced woman observing urban life and her own despair. There are no identifiable LGBTQ+ characters or themes present within the narrative or its exploration of human condition, loneliness, and societal decay.
The film 'The Savage Eye' (1960) does not feature any identifiable transsexual characters or themes. Its narrative focuses on the existential struggles of a divorced woman observing urban life in Los Angeles, without engaging with transgender identities.
The movie does not contain any action or adventure elements.
The Savage Eye is an original docudrama film from 1960, not an adaptation of pre-existing source material or historical figures. All characters, including the protagonist Judith, were created for this film, meaning there are no established characters whose gender could have been swapped.
The Savage Eye (1960) is an original docudrama/mockumentary film. Its characters, including the protagonist Judith, were created for this specific production and do not have prior canonical or historical racial identities to be altered.
Viewer Rating Breakdown
User Ratings
6.8
5.5
Critic Ratings
8.6
N/A
More Like This
Traditional
7.9
Little Caesar
(1931)
Political: Leans Right
Diversity: Low
Traditional
6.7
Lawless
(2012)
Political: Leans Right
Diversity: Low
Leans Traditional
6.6
Mrs. Parker and the Vicious Circle
(1994)
Political: Center
Diversity: Low
Progressive
8.1
Hidden Figures
(2016)
Political: Leans Left
Diversity: High
Leans Traditional
7.6
The Pit and the Pendulum
(1961)
Political: Center
Diversity: Low
Progressive
7.6
Detroit
(2017)
Political: Strong Left
Diversity: High
Leans Traditional
7.4
The Guernsey Literary & Potato Peel Pie Society
(2018)
Political: Center
Diversity: Low
Leans Progressive
7.7
The Green Knight
(2021)
Political: Center
Diversity: High
Center
7.3
The Metamorphosis
(1976)
Political: Leans Left
Diversity: Low
Leans Progressive
7.1
Jules
(2023)
Political: Leans Left
Diversity: Low
LGBTQ: Positive
Leans Progressive
7.3
Joker
(2019)
Political: Leans Left
Diversity: Moderate
Center
7.9
I, Tonya
(2017)
Political: Leans Left
Diversity: Low
Leans Traditional
7.6
Stronger
(2017)
Political: Center
Diversity: Low
Traditional
7.7
Old Henry
(2021)
Political: Leans Right
Diversity: Low
Progressive
7.7
Just Mercy
(2019)
Political: Strong Left
Diversity: High
Progressive
7.8
Wind River
(2017)
Political: Leans Left
Diversity: High
Traditional
8.2
A Quiet Place
(2018)
Political: Leans Right
Diversity: Low
Leans Traditional
6.7
Star!
(1968)
Political: Center
Diversity: Low
Leans Progressive
8.5
Three Billboards Outside Ebbing, Missouri
(2017)
Political: Center
Diversity: High
LGBTQ: Neutral
Leans Traditional
7.2
Far From Home
(2003)
Political: Center
Diversity: Low