Viewer Rating
Combines user and critic ratings from four sources
Drama, Horror • 2025 • 95 min

A fraught mother-daughter relationship is put to a terrifying test when the family patriarch dies, and the grieving mother hires a mysterious stranger to bring her husband back from the dead.
Colby Minifie • Kate Burton • Chelsea Alden
A fraught mother-daughter relationship is put to a terrifying test when the family patriarch dies, and the grieving mother hires a mysterious stranger to bring her husband back from the dead.
Colby Minifie • Kate Burton • Chelsea Alden
The film explores themes of grief, mother-daughter relationships, and supernatural horror. Its narrative and critical reception contain no discernible political messaging or ideological content, focusing instead on personal trauma and family dynamics.
The film features a traditional cast without explicit race or gender swaps of established roles. Its narrative centers on themes of grief and family dynamics, offering no critical portrayal of traditional identities or explicit DEI themes.
The film portrays a family unit grappling with the death of the patriarch, focusing on the fraught mother-daughter relationship. The narrative explores the destructive consequences of the mother's non-traditional, occult attempts to resurrect her husband, without endorsing or critiquing family structures or norms from a traditional or progressive standpoint.
The film focuses on a mother and daughter navigating grief and occult rituals after the family patriarch's death. The narrative explores their fraught relationship and the supernatural consequences of attempting a resurrection. The plot and character descriptions do not include any identifiable LGBTQ+ characters or themes.
The Surrender does not feature transsexual characters or explore transgender themes. The narrative centers on a mother-daughter relationship dealing with grief, loss, and occult rituals, without any elements related to gender identity or transformation.
The movie does not contain any action or adventure elements.
The film features original characters whose on-screen genders align with their established roles within the narrative. No characters are portrayed with a gender different from their canonical or historical representation.
The film is an original screenplay, not an adaptation of existing source material or a historical account. No characters possess a pre-established race from prior canon or history. Consequently, the film does not feature any race swaps.
Combines user and critic ratings from four sources























