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The Swan Princess: A Fairytale Is Born (2023)
Before becoming queen, Uberta lived a humble life with her husband Maximillian when she is suddenly thrust into royalty. Through triumph and tragedy, she learns the lessons needed to become a beloved Queen, all while raising the next generation of rulers. When it's time for Uberta to pass the royal scepter to Odette and Derek, rival Queen Wixom has plans of her own to ruin the kingdom's greatest coronation.
Before becoming queen, Uberta lived a humble life with her husband Maximillian when she is suddenly thrust into royalty. Through triumph and tragedy, she learns the lessons needed to become a beloved Queen, all while raising the next generation of rulers. When it's time for Uberta to pass the royal scepter to Odette and Derek, rival Queen Wixom has plans of her own to ruin the kingdom's greatest coronation.
The film's depiction of benevolent leadership and good governance champions themes of social welfare and collective responsibility, which are explicitly identified by conservative critics as 'liberal idealism,' leading to a left-leaning bias.
The film primarily features traditional Western European fairy tale archetypes without explicit racial, ethnic, or cultural diversity in its casting. The narrative centers on conventional royal succession and family themes, with a female protagonist in a leadership role and a subplot about animal welfare, but it does not explicitly engage with broader DEI issues or critique traditional identities.
The film focuses on Uberta's backstory and rise to queen, involving themes of royalty and leadership. There is no indication of LGBTQ+ characters or themes within the narrative, leading to a determination of N/A for portrayal.
The Swan Princess: A Fairytale Is Born does not feature any transsexual characters or explicitly address transsexual themes. The story centers on classic fairy tale elements, royal adventures, and family relationships, resulting in no identifiable portrayal of the transsexual community.
The movie does not contain any action or adventure elements.
The film's characters, including Odette and Derek, maintain their established canonical genders from the source material and previous adaptations. No character's on-screen gender differs from their historical or canonical portrayal.
The film's major characters, Prince Derek and Princess Odette, maintain their established European/Caucasian depictions from the source material. All other key characters and the general population also align with a predominantly Caucasian European kingdom, consistent with the original series and setting.
Combines user and critic ratings from four sources























