5.3
Viewer Rating
Combines user and critic ratings from four sources
The Three Lives of Karen (1997)
The Three Lives of Karen (1997)
Overview
An engaged woman has flashbacks of previous identities and a past she cannot recall.
Starring Cast
Rating & Dimensions
Bias Rating
Analyzing...
Leans Progressive
Political: Leans Left
Diversity: Moderate
Christianity: Positive
Viewer Rating
5.3
Overview
An engaged woman has flashbacks of previous identities and a past she cannot recall.
Starring Cast
Detailed Bias Analysis
Analyzing...
Leans Progressive
Primary
The film's central narrative champions a woman's right to escape life-threatening domestic abuse and forge a new identity, aligning with progressive values of victim empowerment and social justice.
The movie features visible diversity in its cast without explicitly recasting traditionally white roles. Its narrative maintains a neutral or positive framing of traditional identities, focusing on personal drama rather than explicit critiques of identity groups.
Secondary
The film portrays Karen's Christian personality and her husband's faith with respect and sympathy. Her devotion is presented as a genuine aspect of her identity and a source of moral grounding, not as a cause or symptom of her dissociative identity disorder.
Based on the information provided, 'The Three Lives of Karen' does not appear to feature any identifiable LGBTQ+ characters or themes. Consequently, its portrayal of LGBTQ+ elements is rated as N/A, indicating no depiction.
The film 'The Three Lives of Karen' does not feature any identifiable transsexual characters or themes. Its plot revolves around a woman with amnesia uncovering her multiple past identities, which are unrelated to gender identity or transition.
The movie does not contain any action or adventure elements.
This film appears to feature original characters created for the 1997 TV movie. There is no evidence of prior source material, historical figures, or legacy characters whose gender could have been altered for this adaptation.
This 1997 TV movie appears to be an original story, not an adaptation of existing material with canonically established character races or a depiction of historical figures. Therefore, no characters were race-swapped from a prior depiction.
Viewer Rating Breakdown
User Ratings
5.6
5.0
Critic Ratings
N/A
N/A
More Like This
Leans Progressive
8.5
Dog Day Afternoon
(1975)
Political: Leans Left
Diversity: Low
LGBTQ: Positive
Leans Progressive
7.0
The Mighty Quinn
(1989)
Political: Leans Left
Diversity: Moderate
Progressive
7.1
The Manchurian Candidate
(2004)
Political: Leans Left
Diversity: High
Progressive
6.7
Leave the World Behind
(2023)
Political: Leans Left
Diversity: High
LGBTQ: Neutral
Leans Progressive
7.5
Jackie Brown
(1997)
Political: Center
Diversity: High
Progressive
7.0
Syriana
(2005)
Political: Strong Left
Diversity: High
Leans Progressive
6.8
The Contender
(2000)
Political: Leans Left
Diversity: Moderate
Leans Progressive
6.9
I Care a Lot
(2021)
Political: Leans Left
Diversity: Moderate
LGBTQ: Positive
Leans Progressive
7.7
The Quiet American
(2002)
Political: Leans Left
Diversity: Moderate
Leans Progressive
7.8
Menace II Society
(1993)
Political: Strong Left
Diversity: Moderate
Leans Progressive
7.4
Run
(2020)
Political: Center
Diversity: High
Leans Progressive
6.6
Brink!
(1998)
Political: Leans Left
Diversity: Moderate
Leans Progressive
8.3
Blade Runner
(1982)
Political: Leans Left
Diversity: Moderate
Leans Progressive
7.3
The Lost Bus
(2025)
Political: Leans Left
Diversity: Moderate
Leans Progressive
7.9
Searching
(2018)
Political: Center
Diversity: High
Leans Progressive
8.1
Traffic
(2000)
Political: Leans Left
Diversity: Moderate
Progressive
6.8
Candyman
(1992)
Political: Strong Left
Diversity: High
Leans Progressive
6.8
Bound by Honor
(1993)
Political: Leans Left
Diversity: High
LGBTQ: Negative
Leans Progressive
8.2
Bad Day at Black Rock
(1955)
Political: Leans Left
Diversity: Moderate
Leans Progressive
7.8
Inside Man
(2006)
Political: Leans Left
Diversity: Moderate