Viewer Rating
Combines user and critic ratings from four sources

The Three Lives of Karen (1997)
An engaged woman has flashbacks of previous identities and a past she cannot recall.
An engaged woman has flashbacks of previous identities and a past she cannot recall.
The film's title, "The Three Lives of Karen," suggests a focus on an individual's personal journey or identity. Without any plot details or thematic context, there is no evidence to indicate a specific political bias, leading to a neutral rating.
The movie features a predominantly white main cast without explicit race or gender swaps of traditionally white roles. The narrative does not appear to critically portray traditional identities or center on explicit DEI themes.
The film portrays Karen's Christian personality and her husband's faith with respect and sympathy. Her devotion is presented as a genuine aspect of her identity and a source of moral grounding, not as a cause or symptom of her dissociative identity disorder.
Based on the information provided, 'The Three Lives of Karen' does not appear to feature any identifiable LGBTQ+ characters or themes. Consequently, its portrayal of LGBTQ+ elements is rated as N/A, indicating no depiction.
The film 'The Three Lives of Karen' does not feature any identifiable transsexual characters or themes. Its plot revolves around a woman with amnesia uncovering her multiple past identities, which are unrelated to gender identity or transition.
The movie does not contain any action or adventure elements.
This film appears to feature original characters created for the 1997 TV movie. There is no evidence of prior source material, historical figures, or legacy characters whose gender could have been altered for this adaptation.
This 1997 TV movie appears to be an original story, not an adaptation of existing material with canonically established character races or a depiction of historical figures. Therefore, no characters were race-swapped from a prior depiction.
Combines user and critic ratings from four sources























