Viewer Rating
Combines user and critic ratings from four sources

The Yin-Yang Master: Dream of Eternity (2020)
Every few hundred years, the most powerful demon on earth—a snake demon—awakens, and the Yin-Yang Masters are summoned to the capital. Meanwhile, the Princess of the realm has her own plans, as she conspires to claim the demon’s power.
Every few hundred years, the most powerful demon on earth—a snake demon—awakens, and the Yin-Yang Masters are summoned to the capital. Meanwhile, the Princess of the realm has her own plans, as she conspires to claim the demon’s power.
The film is a fantasy epic focused on universal themes of good versus evil, duty, and sacrifice, with its core conflict and solution remaining largely apolitical and not aligning with any specific ideological viewpoint.
The movie features a culturally authentic East Asian cast, reflecting its origin and fantasy setting without engaging in race or gender swaps of traditionally Western roles. Its narrative focuses on themes of loyalty and duty, portraying traditional identities neutrally or positively, and does not explicitly center Western-centric DEI critiques.
The film features a central, deeply intimate, and fated bond between its two male protagonists, Qingming and Boya. While not explicitly labeled, their relationship is portrayed with intense emotional depth, devotion, and self-sacrifice, forming the narrative's emotional core. This strong, affirming subtext elevates their connection with dignity and respect.
The film "The Yin-Yang Master: Dream of Eternity" does not feature any identifiable transsexual characters or themes within its narrative. Consequently, an evaluation of its portrayal of such elements is not applicable.
The film features the Princess, who, in her transformed state as the Serpent Demon, engages in combat with male characters. However, her victories are achieved through overwhelming supernatural powers and magical abilities, rather than through skill, strength, or martial arts in close-quarters physical combat.
The film adapts the 'Onmyōji' novel series. Key characters like Abe no Seimei (Qingming) and Minamoto no Hiromasa (Boya) retain their canonical male genders. Other characters are either original to this adaptation or their source gender was not explicitly fixed in a way that constitutes a gender swap.
The film adapts a Japanese novel series with characters originally depicted as Japanese (East Asian). The movie features Chinese and Taiwanese actors portraying these characters, maintaining their East Asian racial identity. This constitutes a shift in ethnicity/nationality, not a race swap.
Combines user and critic ratings from four sources























