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To Have and Have Not (1945)
A Martinique charter boat skipper gets mixed up with the underground French resistance operatives during WWII.
A Martinique charter boat skipper gets mixed up with the underground French resistance operatives during WWII.
The film leans left due to its central theme of resisting an oppressive, collaborationist government and its critique of neutrality in the face of tyranny, aligning with anti-authoritarian and social justice values.
The movie, a product of its time, features a traditional cast with no explicit diversity-driven casting choices. Its narrative focuses on adventure and romance, portraying traditional identities neutrally or positively without engaging in explicit DEI critiques.
Howard Hawks's 'To Have and Have Not' is a classic wartime romance and adventure film. The narrative centers on the heterosexual relationship between its main characters and their involvement with the French Resistance. There are no identifiable LGBTQ+ characters or themes present in the film's plot or character arcs.
The film "To Have and Have Not" does not feature any identifiable transsexual characters or themes. Its narrative centers on a fishing boat captain's involvement with the French Resistance during World War II, alongside a romantic subplot, without engaging with transgender identity in any capacity.
The film focuses on a boat captain and a young woman in Martinique during WWII. While there are elements of danger and political intrigue, no female characters engage in or win close-quarters physical combat against male opponents.
The 1945 film "To Have and Have Not" adapts Ernest Hemingway's novel. All major characters, such as Harry Morgan and Marie Browning, retain their original genders from the source material. No instances of a character canonically established as one gender being portrayed as another are present.
The film "To Have and Have Not" (1945) is an adaptation of Ernest Hemingway's novel. All major characters, including Harry Morgan and Marie Browning, are portrayed by actors whose race aligns with their established or implied race in the source material, with no instances of a character canonically established as one race being portrayed as a different race.
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