Leans Traditional
7.6
Two Hours from London
(1995)
Political: Center
Diversity: Low
Tomatoe (1947)
Tomatoe (1947)
Overview
Ott shot his time-lapse plant footage in his Winnetka greenhouse. He installed automatic temperature, humidity, and irrigation systems to help with growing different species of plants, and outfitted his greenhouse with automatic photofloods, iron window shutters, and an army of Bell & Howell “Filmo Model 70” 16mm cameras mounted on dolleys. The nerve center of all of this was an elaborate setup of switch panels and controls connected to a timer. Ott’s automatic greenhouse was called “ingenious” by American Cinematographer in 1947.
Starring Cast
Rating & Dimensions
Bias Rating
Analyzing...
Center
Political: Center
Diversity: Moderate
Viewer Rating
Not Rated
Overview
Ott shot his time-lapse plant footage in his Winnetka greenhouse. He installed automatic temperature, humidity, and irrigation systems to help with growing different species of plants, and outfitted his greenhouse with automatic photofloods, iron window shutters, and an army of Bell & Howell “Filmo Model 70” 16mm cameras mounted on dolleys. The nerve center of all of this was an elaborate setup of switch panels and controls connected to a timer. Ott’s automatic greenhouse was called “ingenious” by American Cinematographer in 1947.
Starring Cast
Detailed Bias Analysis
Analyzing...
Center
Primary
Due to the complete absence of information regarding the film's plot, themes, or subject matter, an objective assessment of political bias is not possible, resulting in a neutral rating.
Due to the absence of specific movie details regarding casting, character roles, or narrative themes, a comprehensive evaluation of its Diversity, Equity, and Inclusion characteristics cannot be performed. The assigned rating reflects a neutral default, as no information was provided to indicate either explicit DEI efforts or a traditional approach.
Secondary
No information about the film '{18. April}' was provided, preventing an assessment of LGBTQ+ characters or themes. Thus, no evaluation could be made based on the given input.
No information was provided regarding the film '18. April (1947)' to evaluate the presence or portrayal of transsexual characters or themes. Therefore, an assessment of its net impact is not possible.
The movie does not contain any action or adventure elements.
The provided information for the film "{18. April} ({movie}, {1947})" is limited to its title, year, and director. Without details on its source material, specific characters, or their canonical/historical genders, it is impossible to determine if any gender swaps occurred.
The film "18. April" from 1947 is not widely known to be an adaptation of source material with pre-established character races, nor is it a biopic where a historical figure's race was altered. Without prior canon, a race swap cannot be identified.
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