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Tommy (1975)
After a series of traumatic childhood events, a psychosomatically deaf, dumb and blind boy becomes a master pinball player and the object of a religious cult.
After a series of traumatic childhood events, a psychosomatically deaf, dumb and blind boy becomes a master pinball player and the object of a religious cult.
The film critiques the dangers of blind faith, cults of personality, and the commercialization of spiritual movements, ultimately showing the failure of an imposed utopian solution. Its balanced critique of both societal exploitation and authoritarian collective movements positions it as largely neutral.
The film features a predominantly traditional cast without explicit DEI-driven recasting. Its narrative focuses on broader societal critiques rather than explicitly critiquing traditional identities or centering DEI themes.
The film satirizes organized religion and blind faith through the 'Church of Tommy,' which uses Christian iconography but quickly devolves into commercialism, exploitation, and violence, portraying its leaders as hypocritical and greedy.
The film 'Tommy, 1975' does not contain any identifiable LGBTQ+ characters or themes. The narrative focuses on the protagonist's trauma, abuse, and subsequent rise as a messianic figure, without incorporating elements related to queer identity into its plot or character arcs.
The film 'Tommy, 1975' does not feature any identifiable transsexual characters or themes within its narrative. The story primarily explores themes of trauma, cults, and spiritual awakening through the protagonist's experiences, without incorporating elements related to transsexual identity or portrayal.
The movie does not contain any action or adventure elements.
The 1975 film "Tommy" is a direct adaptation of The Who's rock opera. All major characters, including Tommy, his parents, and other key figures, maintain the same gender as established in the original source material. No canonical gender changes were made.
The film adapts The Who's rock opera. Major characters like Tommy, his parents, and relatives are portrayed by actors of the same race as generally depicted in the source material. Characters like The Acid Queen, whose race was not explicitly defined in the original work, were cast without contradicting established canon.
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