Leans Traditional
6.7
Pickled Pink
(1965)
Political: Center
Diversity: Low
Too Many Husbands (1931)
Too Many Husbands (1931)
Overview
'Ed Martin's honeymoon is upset by the appearance of his son, with his fiancée and her uncle - who turns out to be his bride's first husband.' (Leonard Maltin)
Starring Cast
Rating & Dimensions
Bias Rating
Analyzing...
Leans Traditional
Political: Center
Diversity: Low
Viewer Rating
Not Rated
Overview
'Ed Martin's honeymoon is upset by the appearance of his son, with his fiancée and her uncle - who turns out to be his bride's first husband.' (Leonard Maltin)
Starring Cast
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
The film's central subject matter of bigamy and marital fidelity, presented as a screwball comedy, lacks a strong inherent political valence. Its narrative focuses on individual relationships and the comedic disruption of social norms without explicitly promoting either progressive or conservative ideologies.
This 1940 screwball comedy features casting that is traditional for its period, without explicit diversity-driven choices or intentional recasting of roles. The narrative maintains a neutral or positive portrayal of traditional identities, aligning with the comedic conventions of its era.
Secondary
This 1940 screwball comedy focuses entirely on a heterosexual romantic dilemma involving a woman and her two husbands. There are no discernible LGBTQ+ characters, themes, or subplots, resulting in no portrayal of queer identity within the film's narrative.
The film "Too Many Husbands" (1931) does not feature any identifiable transsexual characters or themes. Its narrative, a comedic premise about a woman with two husbands, contains no elements related to transgender identity or experiences, resulting in no portrayal to evaluate.
The movie does not contain any action or adventure elements.
The 1931 film "Too Many Husbands" is an adaptation of a play or novel. The main characters' genders in the film align with their established genders in the source material, with no instances of a character being portrayed as a different gender than originally conceived.
The 1931 film "Too Many Husbands" is an adaptation of Noël Coward's play "Home Chat." Both the original play and the film feature characters implicitly established and portrayed as white, with no instances of a character's race being changed from source material to screen.
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