Leans Traditional
8.3
My Man Godfrey
(1936)
Political: Center
Diversity: Low
Too Many Husbands (1931)
Too Many Husbands (1931)
Overview
'Ed Martin's honeymoon is upset by the appearance of his son, with his fiancée and her uncle - who turns out to be his bride's first husband.' (Leonard Maltin)
Starring Cast
Rating & Dimensions
Bias Rating
Analyzing...
Leans Traditional
Political: Center
Diversity: Low
Viewer Rating
Not Rated
Overview
'Ed Martin's honeymoon is upset by the appearance of his son, with his fiancée and her uncle - who turns out to be his bride's first husband.' (Leonard Maltin)
Starring Cast
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
The film's central subject matter of bigamy and marital fidelity, presented as a screwball comedy, lacks a strong inherent political valence. Its narrative focuses on individual relationships and the comedic disruption of social norms without explicitly promoting either progressive or conservative ideologies.
This 1940 screwball comedy features casting that is traditional for its period, without explicit diversity-driven choices or intentional recasting of roles. The narrative maintains a neutral or positive portrayal of traditional identities, aligning with the comedic conventions of its era.
Secondary
This 1940 screwball comedy focuses entirely on a heterosexual romantic dilemma involving a woman and her two husbands. There are no discernible LGBTQ+ characters, themes, or subplots, resulting in no portrayal of queer identity within the film's narrative.
The film "Too Many Husbands" (1931) does not feature any identifiable transsexual characters or themes. Its narrative, a comedic premise about a woman with two husbands, contains no elements related to transgender identity or experiences, resulting in no portrayal to evaluate.
The movie does not contain any action or adventure elements.
The 1931 film "Too Many Husbands" is an adaptation of a play or novel. The main characters' genders in the film align with their established genders in the source material, with no instances of a character being portrayed as a different gender than originally conceived.
The 1931 film "Too Many Husbands" is an adaptation of Noël Coward's play "Home Chat." Both the original play and the film feature characters implicitly established and portrayed as white, with no instances of a character's race being changed from source material to screen.
More Like This
Center
6.8
The Aristocats
(1970)
Political: Center
Diversity: Low
Female Combat: Yes
Traditional
6.9
Quick Change
(1990)
Political: Leans Right
Diversity: Low
Leans Traditional
6.9
The Return of the Pink Panther
(1975)
Political: Center
Diversity: Low
Leans Traditional
8.1
Airplane!
(1980)
Political: Center
Diversity: Low
Leans Traditional
7.8
Planes, Trains and Automobiles
(1987)
Political: Center
Diversity: Low
Leans Traditional
7.0
The Pink Panther
(1963)
Political: Center
Diversity: Low
Leans Traditional
7.5
Punch-Drunk Love
(2002)
Political: Center
Diversity: Low
Traditional
7.4
The Party
(1968)
Political: Center
Diversity: Low
LGBTQ: Negative
Leans Traditional
7.0
Cat Ballou
(1965)
Political: Center
Diversity: Low
Leans Traditional
7.6
My Cousin Vinny
(1992)
Political: Center
Diversity: Low
Leans Traditional
7.4
Garden State
(2004)
Political: Center
Diversity: Low
LGBTQ: Neutral
Leans Traditional
7.0
Wuzzles: Bumblelion
(1985)
Political: Center
Diversity: Low
Leans Traditional
7.7
A Shot in the Dark
(1964)
Political: Center
Diversity: Low
Leans Traditional
7.5
Operation Petticoat
(1959)
Political: Center
Diversity: Low
Leans Traditional
8.6
Annie Hall
(1977)
Political: Center
Diversity: Low
LGBTQ: Neutral
Leans Traditional
7.9
Big
(1988)
Political: Center
Diversity: Low
Leans Traditional
8.5
The Sting
(1973)
Political: Center
Diversity: Low
Traditional
7.2
Slap Shot
(1977)
Political: Center
Diversity: Low
LGBTQ: Negative
Leans Traditional
7.1
The Sugarland Express
(1974)
Political: Center
Diversity: Low