6.3
Viewer Rating
Combines user and critic ratings from four sources
Topaz (1969)
Topaz (1969)
Overview
Copenhagen, Denmark, 1962. When a high-ranking Soviet official decides to change sides, a French intelligence agent is caught up in a cold, silent and bloody spy war in which his own family will play a decisive role.
Starring Cast
Where to watch
Rating & Dimensions
Bias Rating
Analyzing...
Traditional
Political: Leans Right
Diversity: Low
LGBTQ: Negative
Viewer Rating
6.3
Overview
Copenhagen, Denmark, 1962. When a high-ranking Soviet official decides to change sides, a French intelligence agent is caught up in a cold, silent and bloody spy war in which his own family will play a decisive role.
Starring Cast
Where to watch
Detailed Bias Analysis
Analyzing...
Traditional
Primary
The film's central narrative revolves around countering a Soviet spy ring during the Cold War, which inherently aligns with conservative national security and anti-communist themes, despite its exploration of the moral complexities of espionage.
The movie features a predominantly white cast, consistent with productions of its era, and does not include explicit race or gender swaps for traditionally white roles. The narrative centers on a white, male protagonist, and the storyline focuses on Cold War espionage without critically portraying traditional identities or explicitly incorporating diversity, equity, and inclusion themes.
Secondary
Topaz features Philippe Dubois, a French intelligence agent whose implied homosexuality and relationship with François Picard are central to his character's arc. His attempts to protect François lead to both their tragic deaths. While Dubois is portrayed sympathetically, the narrative links his queer identity and relationship directly to his vulnerability and a punitive outcome, lacking any affirming counter-narrative.
Alfred Hitchcock's 1969 spy thriller "Topaz" does not feature any identifiable transsexual characters or themes. The film's plot is exclusively centered on international espionage and political tensions during the Cold War, with no narrative elements touching upon gender identity.
The movie does not contain any action or adventure elements.
The film adapts Leon Uris's novel without altering the established genders of its main characters. All significant roles maintain their original gender from the source material.
Based on a 1967 novel, the film's characters, primarily French, Cuban, and Soviet, are portrayed by actors whose race aligns with their established descriptions in the source material and the historical context of the story. No instances of a character canonically established as one race being portrayed as a different race were identified.
Viewer Rating Breakdown
User Ratings
6.2
6.0
Critic Ratings
6.8
6.1
More Like This
Traditional
8.1
Rope
(1948)
Political: Center
Diversity: Low
LGBTQ: Negative
Leans Traditional
7.0
Enemy of the State
(1998)
Political: Leans Right
Diversity: Moderate
Traditional
6.8
Wrath of Man
(2021)
Political: Leans Right
Diversity: Low
Leans Traditional
8.3
All the President's Men
(1976)
Political: Center
Diversity: Low
Leans Traditional
7.5
Clean, Shaven
(1995)
Political: Center
Diversity: Low
Leans Traditional
7.2
Clear and Present Danger
(1994)
Political: Leans Right
Diversity: Moderate
Leans Traditional
6.8
Archive
(2020)
Political: Center
Diversity: Low
Leans Traditional
8.9
North by Northwest
(1959)
Political: Center
Diversity: Low
Leans Traditional
9.2
Rear Window
(1954)
Political: Center
Diversity: Low
Traditional
8.5
Strangers on a Train
(1951)
Political: Center
Diversity: Low
LGBTQ: Negative
Leans Traditional
6.7
Stillwater
(2021)
Political: Center
Diversity: Low
LGBTQ: Neutral
Center
7.8
The Man Who Knew Too Much
(1956)
Political: Center
Diversity: Low
Leans Traditional
7.3
Marnie
(1964)
Political: Center
Diversity: Low
Leans Traditional
7.8
Spellbound
(1945)
Political: Center
Diversity: Low
Leans Traditional
8.8
Notorious
(1946)
Political: Center
Diversity: Low
Leans Traditional
6.8
Chappaquiddick
(2018)
Political: Center
Diversity: Low
Leans Traditional
8.5
Fargo
(1996)
Political: Center
Diversity: Low
Leans Traditional
6.7
Boiler Room
(2000)
Political: Center
Diversity: Low
Leans Traditional
8.1
To Catch a Thief
(1955)
Political: Center
Diversity: Low
Center
8.6
The Manchurian Candidate
(1962)
Political: Center
Diversity: Low