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Um Sonho Atribulado (1929)

Um Sonho Atribulado poster

Um Sonho Atribulado (1929)

Overview

A fool, during his nap, dreams of meeting a farmer and being chased by settlers because of a supposed kidnapping. After waking up, dream and reality merge because the 'farmer' will be his new maid. (Cinemateca Brasileira)


Starring Cast


Rating & Dimensions

Bias Rating
Analyzing...
Leans Progressive
Political: Strong Left
Diversity: Moderate

Viewer Rating

Not Rated


Overview

A fool, during his nap, dreams of meeting a farmer and being chased by settlers because of a supposed kidnapping. After waking up, dream and reality merge because the 'farmer' will be his new maid. (Cinemateca Brasileira)


Starring Cast

Detailed Bias Analysis

Analyzing...
Leans Progressive

Primary

The film's central thesis, strongly implied by its title "Kehre wieder, Afrika!" (Return, Africa!), explicitly promotes progressive ideology through themes of anti-colonialism, self-determination, and the reclamation of African identity and sovereignty.

This film, titled 'Return, Africa!', naturally features a diverse cast reflecting its African subject matter. The narrative is assessed as neutral regarding explicit critiques of traditional identities or strong DEI themes, focusing instead on its subject without overt commentary on these aspects.

Secondary

This 1929 silent film does not have any documented LGBTQ+ characters or themes. Based on available plot summaries and historical context, there is no evidence to suggest any portrayal of queer identity within the narrative, leading to an N/A rating.

Based on the provided information, there is no content available to evaluate the portrayal of transsexual characters or themes in 'Um Sonho Atribulado'. Consequently, no depiction can be identified.

The movie does not contain any action or adventure elements.

This 1929 film is a documentary-style travelogue by director Ernö Metzner about his journey to Africa. It does not feature fictional characters or adaptations of pre-existing works with established genders, nor does it portray specific historical figures in a way that would allow for a gender swap.

This 1929 film is a documentary/ethnographic work depicting the Herero people in German South West Africa. It does not feature fictional characters with pre-established races from source material or historical figures whose race was altered. Therefore, no race swap occurred.


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