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We Bury the Dead (2026)
After a catastrophic military disaster, the dead don't just rise—they hunt. The military insists they are harmless and slow-moving, offering hope to grieving families. But when Ava enters a quarantine zone searching for her missing husband, she uncovers the horrifying truth: the undead are growing more violent, more relentless, and more dangerous with every passing hour.
After a catastrophic military disaster, the dead don't just rise—they hunt. The military insists they are harmless and slow-moving, offering hope to grieving families. But when Ava enters a quarantine zone searching for her missing husband, she uncovers the horrifying truth: the undead are growing more violent, more relentless, and more dangerous with every passing hour.
The film critiques state power, military irresponsibility, and government misinformation through a post-apocalyptic narrative, foregrounding individual autonomy, grief, and caregiving in response to institutional failure, which aligns with left-leaning skepticism of powerful institutions.
The movie centers a female protagonist and explores themes of motherhood and grief through a female perspective. It includes an Indigenous Australian actor in a supporting role, though his character's specific Indigenous identity is not explicitly part of the narrative. The film also critiques institutional misinformation from military authorities.
Based on available information, We Bury the Dead (2025) does not feature any identifiable LGBTQ+ characters, relationships, or themes. Synopses, reviews, and thematic discussions consistently omit any mention of queer representation, indicating a complete absence within the film's narrative.
Based on all available information, including plot summaries, trailers, interviews, and reviews, there are no identifiable transsexual or transgender characters or themes present in "We Bury the Dead." The film's narrative centers on a woman searching for her husband amidst a zombie apocalypse, focusing on grief and loss, without any indication of gender identity exploration.
The movie does not contain any action or adventure elements.
The film features an original screenplay with original characters, not adapted from prior source material or based on historical figures. Consequently, there are no characters with an established canonical gender from which a gender swap could occur.
We Bury the Dead is based on an original screenplay, meaning all characters are new creations without prior established racial identities in any source material. Therefore, no character can be considered a 'race swap' according to the provided definition.
Combines user and critic ratings from four sources























