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What Happened to Monday (2017)
In a world where families are limited to one child due to overpopulation, a set of identical septuplets must avoid being put to a long sleep by the government and dangerous infighting while investigating the disappearance of one of their own.
In a world where families are limited to one child due to overpopulation, a set of identical septuplets must avoid being put to a long sleep by the government and dangerous infighting while investigating the disappearance of one of their own.
The film's central conflict critiques a dystopian government's authoritarian control over individual lives and reproductive rights, championing individual freedom and the exposure of state deception against a powerful bureaucracy, which aligns with a skepticism of government power.
The film features a lead character not subject to explicit race or gender swapping of a traditionally white role, with visible diversity in its supporting cast. Its narrative primarily explores themes of dystopian government control and individual freedom, without explicitly critiquing traditional identities.
The film features multiple female characters, the sisters, who repeatedly engage in and win close-quarters physical fights against male C.A.B. agents and security personnel. They utilize martial arts, hand-to-hand combat, and melee weapons to defeat their opponents.
The film 'What Happened to Monday' does not feature any identifiable LGBTQ+ characters or themes. Its narrative centers on a dystopian future and the survival of seven sisters, with no elements related to queer identity or experiences. Therefore, the net impact on LGBTQ+ portrayal is N/A.
The film "What Happened to Monday" does not feature any identifiable transsexual characters or themes. Its narrative focuses on a dystopian future with a one-child policy, exploring themes of identity, government control, and sibling survival through the story of seven identical sisters.
This film is an original story with characters created specifically for this production. There are no pre-existing source materials, historical figures, or prior installments from which character genders could have been established and subsequently altered.
This film is an original screenplay and does not adapt pre-existing source material, historical figures, or legacy characters. All characters were created for this specific film, meaning there is no prior canonical or established race to be altered.
Combines user and critic ratings from four sources























