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White Zombie (1932)
A wealthy landowner living in Haiti convinces a sorcerer to lure the woman he has fallen for away from her fiancé. The madman later betrays their agreement by keeping the woman for himself…As a zombie.
A wealthy landowner living in Haiti convinces a sorcerer to lure the woman he has fallen for away from her fiancé. The madman later betrays their agreement by keeping the woman for himself…As a zombie.
The film's dominant themes align with left-leaning critiques by depicting the horrors of exploitation through forced labor and the patriarchal desire for control over a woman, despite its individualistic resolution and some problematic portrayals of voodoo.
The film features traditional casting with white actors in lead roles, consistent with its production era. Its narrative does not critically portray traditional identities and instead reinforces them, even when depicting a white villain whose actions are rooted in individual depravity rather than a critique of broader identity. The portrayal of non-white characters and culture aligns with stereotypical and colonial tropes of the period, rather than promoting diversity or inclusion.
Christianity is associated with the film's sympathetic characters, such as the missionary Dr. Bruner and the protagonists' wedding. It represents a moral counterpoint to the dark forces of voodoo, embodying virtues and dignity, even if its direct power against the supernatural evil is not explicitly demonstrated.
White Zombie (1932) is a horror film focused on a heterosexual romance, voodoo, and the creation of zombies. There are no identifiable LGBTQ+ characters or themes depicted within the film's plot or character arcs, resulting in a net impact of N/A.
The film 'White Zombie, 1932' does not feature any identifiable transsexual characters or themes. Its narrative is centered on a horror plot involving voodoo and the creation of zombies, with no elements pertaining to transgender identity or experiences present in the story.
The movie does not contain any action or adventure elements.
White Zombie (1932) is an original film, not an adaptation of prior source material or a reboot. Its characters were created for this production, meaning there are no pre-established canonical genders to be swapped.
White Zombie (1932) is an original film and not an adaptation of pre-existing source material with established character races. Therefore, no characters were canonically, historically, or widely established as one race and then portrayed as a different race.
Combines user and critic ratings from four sources























