7.6
Viewer Rating
Combines user and critic ratings from four sources
You Were Never Really Here (2017)
You Were Never Really Here (2017)
Overview
A traumatized veteran, unafraid of violence, tracks down missing girls for a living. When a job spins out of control, his nightmares begin to overtake him, and a conspiracy is uncovered—leading to what may be his death trip or his awakening.
Starring Cast
Where to watch
Rating & Dimensions
Bias Rating
Analyzing...
Center
Political: Leans Left
Diversity: Low
Viewer Rating
7.6
Overview
A traumatized veteran, unafraid of violence, tracks down missing girls for a living. When a job spins out of control, his nightmares begin to overtake him, and a conspiracy is uncovered—leading to what may be his death trip or his awakening.
Starring Cast
Where to watch
Detailed Bias Analysis
Analyzing...
Center
Primary
The film leans left due to its implicit critique of powerful, corrupt elites enabling child sex trafficking and the systemic failures that leave the vulnerable unprotected, aligning with progressive concerns about power structures and social justice, despite its focus on individual trauma and a bleak, non-systemic 'solution'.
The movie features a predominantly white main cast without apparent intentional race or gender swaps of traditional roles. Its narrative centers on a white male protagonist dealing with trauma and corruption, without explicitly critiquing traditional identities or making DEI themes central to its story.
Secondary
The film "You Were Never Really Here" does not feature any identifiable LGBTQ+ characters or themes. The narrative focuses on a traumatized veteran's mission to rescue trafficked girls, with no elements related to queer identity present in the story.
The film "You Were Never Really Here" does not feature any identifiable transsexual characters or themes. The narrative focuses on a traumatized veteran's efforts to rescue a young girl from a sex trafficking ring, exploring themes of violence, trauma, and corruption without engaging with transgender identity.
The movie does not contain any action or adventure elements.
The film is an adaptation of Jonathan Ames's novella. The primary characters, including Joe, Nina, and Joe's mother, maintain the same gender as established in the source material, with no instances of a character's gender being changed for the screen adaptation.
The film is an adaptation of Jonathan Ames's novella. The main characters, including Joe, Nina, and Joe's mother, are portrayed by actors whose race aligns with the implied or explicit descriptions in the source material, with no changes in racial depiction.
Viewer Rating Breakdown
User Ratings
6.7
6.6
Critic Ratings
8.9
8.4
More Like This
Leans Traditional
7.3
We Need to Talk About Kevin
(2011)
Political: Center
Diversity: Low
Traditional
7.6
Straw Dogs
(1971)
Political: Leans Right
Diversity: Low
Center
6.8
The Good Thief
(2003)
Political: Center
Diversity: Moderate
Leans Traditional
10.0
The Lure
(1933)
Political: Not Rated
Diversity: Low
Leans Traditional
8.1
Murder at the Gallop
(1963)
Political: Center
Diversity: Low
Leans Traditional
7.1
Murder Most Foul
(1964)
Political: Center
Diversity: Low
Progressive
8.1
The Crying Game
(1992)
Political: Leans Left
Diversity: High
LGBTQ: Positive
Traditional
7.2
The Bank Job
(2008)
Political: Center
Diversity: Low
LGBTQ: Negative
Center
8.2
The Dark Knight Rises
(2012)
Political: Leans Right
Diversity: Moderate
Female Combat: Yes
Leans Traditional
7.7
Sexy Beast
(2001)
Political: Center
Diversity: Low
Leans Progressive
8.0
Wasteman
(2026)
Political: Strong Left
Diversity: Moderate
Leans Traditional
7.4
Layer Cake
(2004)
Political: Center
Diversity: Low
Traditional
7.2
Evil Under the Sun
(1982)
Political: Center
Diversity: Low
LGBTQ: Negative
Leans Traditional
10.0
The Harbour Lights
(1923)
Political: Center
Diversity: Low
Leans Traditional
7.0
The Stolen Necklace
(1933)
Political: Center
Diversity: Low
Center
8.4
Oliver Twist
(1948)
Political: Leans Left
Diversity: Low
Progressive
7.7
The Constant Gardener
(2005)
Political: Strong Left
Diversity: High
Leans Traditional
8.0
The Iron Stair
(1933)
Political: Center
Diversity: Low
Leans Traditional
8.4
Repulsion
(1965)
Political: Center
Diversity: Low
Leans Traditional
6.8
Saltburn
(2023)
Political: Center
Diversity: Moderate
LGBTQ: Negative