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Maracas and Bongo (1932)

Bias Rating
Analyzing...
Traditional
Viewer Rating

Not Rated

Maracas and Bongo poster

Overview

The film follows a young man's jealousy over his girlfriend attending a backyard party in Havana, where musical acts and dances are performed. This is the first sound (short) film made in Cuba.


Starring Cast

Bias Dimensions

Political: Strong Right
Diversity: Moderate

Overview

The film follows a young man's jealousy over his girlfriend attending a backyard party in Havana, where musical acts and dances are performed. This is the first sound (short) film made in Cuba.


Starring Cast

Detailed Bias Analysis

Analyzing...
Traditional

Primary

The film explicitly promotes extreme Japanese nationalism, militarism, and imperial expansionism, framing conquest as liberation. Its central thesis aligns with far-right ideology, particularly as WWII propaganda.

This 1945 Japanese animated film features casting traditional to its cultural context, without engaging with Western concepts of mainstream roles or DEI-driven casting. However, its narrative explicitly frames caricatures of Westerners as antagonists, portraying them negatively as villains in a manner consistent with wartime propaganda.

Secondary

Momotaro Under the Sea, a 1945 Japanese animated propaganda film, does not feature any identifiable LGBTQ+ characters or themes. The narrative is entirely focused on its wartime message and military exploits, with no elements pertaining to queer identity or experiences.

No information regarding the film's content was provided, making it impossible to evaluate the portrayal of transsexual characters or themes. Therefore, the film is rated N/A for this criterion.

The movie does not contain any action or adventure elements.

The film features Momotaro, a character from Japanese folklore traditionally depicted as male. His portrayal in the film aligns with this established gender, and there are no instances of other canonically established characters undergoing a gender swap.

Momotaro is a character from Japanese folklore, inherently depicted as Japanese. This 1932 animated film is a Japanese production, and there is no indication that Momotaro or any other established character is portrayed as a different race than their canonical origin.


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