7.0
Viewer Rating
Combines user and critic ratings from four sources
Viva Las Vegas (1964)
Bias Rating
Analyzing...
Leans Traditional
Viewer Rating
Rating: 7.0
Overview
Lucky Jackson arrives in town with his car literally in tow ready for the first Las Vegas Grand Prix - once he has the money to buy an engine. He gets the cash easily enough but mislays it when the pretty swimming pool manageress takes his mind off things. It seems he will lose both race and girl, problems made more difficult by rivalry from Elmo Mancini, fellow racer and womaniser.
Starring Cast
Where to watch
Bias Dimensions
Political: Center
Diversity: Low
Overview
Lucky Jackson arrives in town with his car literally in tow ready for the first Las Vegas Grand Prix - once he has the money to buy an engine. He gets the cash easily enough but mislays it when the pretty swimming pool manageress takes his mind off things. It seems he will lose both race and girl, problems made more difficult by rivalry from Elmo Mancini, fellow racer and womaniser.
Starring Cast
Where to watch
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
The film focuses on apolitical themes of romance, individual ambition, and lighthearted competition within the entertainment world of Las Vegas, without engaging in broader political or ideological commentary.
This film features traditional casting with a predominantly white cast and no apparent race or gender swaps of established roles. The narrative maintains a neutral to positive framing of traditional identities, without incorporating explicit DEI themes or critiques.
Secondary
Viva Las Vegas is a 1964 musical film centered on the romantic pursuits and professional ambitions of its heterosexual leads, Lucky Jackson and Rusty Martin. The narrative does not feature any identifiable LGBTQ+ characters, themes, or storylines, nor does it explore queer identity or experiences in any capacity.
Viva Las Vegas is a musical romance centered on a race car driver and a swimming instructor in Las Vegas. The film does not feature any identifiable transsexual characters or themes, nor does it touch upon gender identity in its plot or character development.
The movie does not contain any action or adventure elements.
Viva Las Vegas is an original film from 1964, not an adaptation of existing source material or a reboot of a prior work. All characters were created for this film, thus lacking any pre-established canonical or historical gender to be swapped.
Viva Las Vegas is an original film from 1964, not an adaptation of existing source material or a biopic. Its characters were created for this specific movie, meaning there is no prior canonical or historical race to be altered.
Viewer Rating Breakdown
User Ratings
6.4
6.2
Critic Ratings
8.6
6.9
More Like This
Leans Traditional
7.0
Bye Bye Birdie
(1963)
Political: Center
Diversity: Low
Leans Traditional
6.8
Pal Joey
(1957)
Political: Center
Diversity: Low
Leans Traditional
7.6
Kiss Me Kate
(1953)
Political: Center
Diversity: Low
Leans Traditional
6.9
Garfield In Paradise
(1986)
Political: Center
Diversity: Low
Leans Traditional
8.3
The Band Wagon
(1953)
Political: Center
Diversity: Low
Leans Traditional
7.2
My Sister Eileen
(1955)
Political: Center
Diversity: Low
Leans Traditional
7.3
Road to Morocco
(1942)
Political: Center
Diversity: Low
Leans Traditional
7.9
The Music Man
(1962)
Political: Center
Diversity: Low
Leans Traditional
7.7
On the Town
(1949)
Political: Center
Diversity: Low
Leans Traditional
7.4
Royal Wedding
(1951)
Political: Center
Diversity: Low
Leans Traditional
7.7
It's Always Fair Weather
(1955)
Political: Center
Diversity: Low
Traditional
7.0
White Christmas
(1954)
Political: Leans Right
Diversity: Low
Leans Traditional
7.8
Annie Get Your Gun
(1950)
Political: Leans Right
Diversity: Low
Leans Traditional
7.2
Dancing Lady
(1933)
Political: Center
Diversity: Low
Leans Traditional
7.3
Road to Singapore
(1940)
Political: Center
Diversity: Low
Leans Traditional
7.9
High Fidelity
(2000)
Political: Center
Diversity: Low
Leans Traditional
8.0
An American in Paris
(1951)
Political: Center
Diversity: Low
Leans Traditional
7.2
High Society
(1956)
Political: Center
Diversity: Low
Leans Traditional
7.0
The Pirate
(1948)
Political: Center
Diversity: Low
Leans Traditional
6.8
A Damsel in Distress
(1937)
Political: Center
Diversity: Low