7.3
Viewer Rating
Combines user and critic ratings from four sources
Road to Morocco (1942)
Bias Rating
Analyzing...
Leans Traditional
Viewer Rating
Rating: 7.3
Overview
Two carefree castaways on a desert shore find an Arabian Nights city, where they compete for the luscious Princess Shalmar.
Starring Cast
Where to watch
Bias Dimensions
Political: Center
Diversity: Low
Islam: Negative
Overview
Two carefree castaways on a desert shore find an Arabian Nights city, where they compete for the luscious Princess Shalmar.
Starring Cast
Where to watch
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
Road to Morocco is a classic musical comedy whose central subject matter and narrative are primarily focused on lighthearted entertainment, romance, and adventure, lacking any explicit or implicit political thesis or ideological promotion.
This classic musical comedy from the 1940s features a predominantly white main cast, consistent with traditional Hollywood productions of its era. The narrative presents its white, male protagonists in a positive light, and the film does not engage in critical portrayals of traditional identities or explicit DEI themes.
Secondary
The film portrays the local 'Arab' culture, implicitly Islamic, through stereotypical and exoticized antagonists who are often greedy or lustful. While played for comedy, this depiction lacks nuance and reinforces a broad negative image without offering counterbalancing positive portrayals.
The film "Road to Morocco" does not feature any identifiable LGBTQ+ characters or themes. Its narrative focuses on heterosexual romance and comedic adventures, with no elements that depict or explore queer identity.
Road to Morocco, a 1942 musical comedy, does not contain any identifiable transsexual characters or themes. While there is a brief instance of cross-dressing for comedic disguise, it does not explore or depict transgender identity, resulting in no relevant portrayal for evaluation.
The film is a musical comedy from 1942, primarily featuring comedic situations, musical numbers, and romantic entanglements. Female characters, including Princess Shalmar, do not engage in or win direct physical combat against male opponents. Their roles do not involve action sequences of this nature.
Road to Morocco is an original film with characters created for the movie or its series. There are no pre-existing canonical, historical, or widely established characters whose gender was changed for this production.
The film "Road to Morocco" (1942) is an original production and does not adapt characters from prior source material or historical records with established racial identities. Therefore, no characters undergo a race swap according to the provided definition.
Viewer Rating Breakdown
User Ratings
7.0
6.9
Critic Ratings
7.9
7.5
More Like This
Leans Traditional
6.9
The Big Broadcast
(1932)
Political: Center
Diversity: Low
Traditional
7.0
White Christmas
(1954)
Political: Leans Right
Diversity: Low
Leans Traditional
7.3
Road to Singapore
(1940)
Political: Center
Diversity: Low
Leans Traditional
7.2
High Society
(1956)
Political: Center
Diversity: Low
Traditional
7.8
Going My Way
(1944)
Political: Leans Right
Diversity: Low
Leans Traditional
7.0
The Pirate
(1948)
Political: Center
Diversity: Low
Leans Traditional
6.9
Garfield In Paradise
(1986)
Political: Center
Diversity: Low
Traditional
7.8
Holiday Inn
(1942)
Political: Leans Right
Diversity: Low
Traditional
7.5
The Bells of St. Mary's
(1945)
Political: Leans Right
Diversity: Low
Leans Traditional
6.7
Bedknobs and Broomsticks
(1971)
Political: Center
Diversity: Low
Leans Traditional
7.9
The Music Man
(1962)
Political: Center
Diversity: Low
Leans Traditional
7.0
Scooby-Doo! and the Goblin King
(2008)
Political: Center
Diversity: Low
Center
7.8
The Muppet Movie
(1979)
Political: Center
Diversity: Low
Female Combat: Yes
Leans Traditional
8.3
The Princess Bride
(1987)
Political: Center
Diversity: Low
Leans Traditional
7.1
Tom Jones
(1963)
Political: Center
Diversity: Low
Leans Traditional
8.4
The General
(1926)
Political: Center
Diversity: Low
Leans Traditional
7.7
It's Always Fair Weather
(1955)
Political: Center
Diversity: Low
Leans Traditional
7.0
Viva Las Vegas
(1964)
Political: Center
Diversity: Low
Leans Traditional
7.0
The Eagle
(1925)
Political: Center
Diversity: Low
Leans Traditional
7.9
High Fidelity
(2000)
Political: Center
Diversity: Low