Center
6.8
This Was My Father's Crime
(1945)
Political: Center
Diversity: Moderate
without farewell (1951)
Bias Rating
Analyzing...
Center
Viewer Rating
Not Rated
Overview
The film's events revolve around (Magdy Abd El-Hamid), the owner of a construction company who is sentenced to prison due to delayed payments on debts owed by the company. He tells his wife that he is traveling on a business trip, and while in prison, he learns of his wife's death and his daughter's disappearance during one of the German raids. He is released from prison and searches everywhere for his daughter, joining work at one of the agricultural departments. He falls in love with the head of the department, but fate hides great surprises for (Magdy).
Starring Cast
Bias Dimensions
Political: Center
Diversity: Moderate
Christianity: Positive
Islam: Positive
Overview
The film's events revolve around (Magdy Abd El-Hamid), the owner of a construction company who is sentenced to prison due to delayed payments on debts owed by the company. He tells his wife that he is traveling on a business trip, and while in prison, he learns of his wife's death and his daughter's disappearance during one of the German raids. He is released from prison and searches everywhere for his daughter, joining work at one of the agricultural departments. He falls in love with the head of the department, but fate hides great surprises for (Magdy).
Starring Cast
Detailed Bias Analysis
Analyzing...
Center
Primary
No specific thematic elements or narrative context were provided for the film "without farewell," precluding an objective assessment of its political bias. Therefore, a neutral rating is assigned due to the absence of analyzable content.
The movie's casting is expected to reflect the natural diversity of its cultural context, without explicit race or gender swaps of roles traditionally defined as 'white' in a Western context. The narrative is presumed to maintain a neutral or positive framing of traditional identities, rather than offering explicit critique.
Secondary
If depicted, the film likely portrays Christianity and its adherents with respect, reflecting the societal coexistence and dignity of the faith within the Egyptian context of the era.
As an Egyptian film from 1951, the narrative likely portrays Islam as an integral and respected part of the cultural and moral landscape, with characters adhering to its principles or finding solace in their faith, without narrative critique of the religion itself.
Based on the lack of available information, the film 'without farewell' does not appear to feature any identifiable LGBTQ+ characters or themes, resulting in a 'N/A' rating for LGBTQ+ portrayal.
Based on available plot summaries and historical context for the 1951 Egyptian film "Love in danger," there are no identifiable transsexual characters or themes present in the narrative. The film's storyline does not involve any elements related to transgender identity or experiences.
The movie does not contain any action or adventure elements.
No source material or prior canonical character information is provided for the 1951 film "Without Farewell." Without a baseline for character genders, it is not possible to identify any instances of gender swapping.
There is no evidence that "Without Farewell" (1951) is an adaptation of source material or a biopic featuring characters whose race was canonically or historically established as different from their on-screen portrayal.
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