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White Poison (1929)

Bias Rating
Analyzing...
Leans Progressive
Viewer Rating

Not Rated

White Poison poster

Overview

This story revolves around the use of narcotic drugs and their harmful effects. Extraordinary luxury, artistic nudes and lascivious dances (Cinemateca Brasileira)


Starring Cast

Bias Dimensions

Political: Strong Left
Diversity: Moderate

Overview

This story revolves around the use of narcotic drugs and their harmful effects. Extraordinary luxury, artistic nudes and lascivious dances (Cinemateca Brasileira)


Starring Cast

Detailed Bias Analysis

Analyzing...
Leans Progressive

Primary

The film's central thesis, strongly implied by its title "Kehre wieder, Afrika!" (Return, Africa!), explicitly promotes progressive ideology through themes of anti-colonialism, self-determination, and the reclamation of African identity and sovereignty.

This film, titled 'Return, Africa!', naturally features a diverse cast reflecting its African subject matter. The narrative is assessed as neutral regarding explicit critiques of traditional identities or strong DEI themes, focusing instead on its subject without overt commentary on these aspects.

Secondary

This 1929 silent film does not have any documented LGBTQ+ characters or themes. Based on available plot summaries and historical context, there is no evidence to suggest any portrayal of queer identity within the narrative, leading to an N/A rating.

Due to the absence of any plot details or character information for the film 'White Poison', an evaluation of its portrayal of transsexual characters and themes cannot be conducted. Therefore, the net impact is deemed N/A, as no identifiable transgender content was available for analysis.

The movie does not contain any action or adventure elements.

This 1929 film is a documentary-style travelogue by director Ernö Metzner about his journey to Africa. It does not feature fictional characters or adaptations of pre-existing works with established genders, nor does it portray specific historical figures in a way that would allow for a gender swap.

This 1929 film is a documentary/ethnographic work depicting the Herero people in German South West Africa. It does not feature fictional characters with pre-established races from source material or historical figures whose race was altered. Therefore, no race swap occurred.


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