Progressive
8.1
Sorry, Baby
(2025)
Political: Leans Left
Diversity: High
LGBTQ: Positive
Reflex (1963)
Bias Rating
Analyzing...
Progressive
Viewer Rating
Not Rated
Overview
Dietrich Schubert's first published short film is a story of longing in front of an almighty industrial backdrop.
Starring Cast
Bias Dimensions
Political: Strong Left
Diversity: High
Christianity: Positive
Islam: Positive
Overview
Dietrich Schubert's first published short film is a story of longing in front of an almighty industrial backdrop.
Starring Cast
Detailed Bias Analysis
Analyzing...
Progressive
Primary
The film explicitly promotes progressive ideology by documenting and amplifying the voices of key Civil Rights leaders who critiqued systemic racism and advocated for fundamental social change and racial equality.
This film directly addresses the African American experience and the historical struggle for equality, making diversity central to its subject matter. Its narrative critically examines the societal structures and historical injustices that hindered the realization of the 'American Promise' for Black individuals.
Secondary
The film prominently features Martin Luther King Jr. and the Christian-led Civil Rights Movement, portraying Christian principles as the moral foundation for non-violent resistance and the pursuit of justice and equality. The narrative aligns with the virtues of the faith as a force for social good.
The film provides a significant platform for Malcolm X and the Nation of Islam, presenting their perspective as a powerful and understandable response to racial oppression. While distinct from other approaches, the film portrays this branch of Islam and its adherents with seriousness and depth, acknowledging its role in the broader struggle for Black liberation.
This documentary primarily explores the Civil Rights Movement and the challenges faced by African Americans in the 1960s. Its narrative is entirely focused on racial justice, and as such, it does not feature any identifiable LGBTQ+ characters or themes. The film's scope is specific to the Black experience in America.
The 1963 Miss USA show does not feature any identifiable transsexual characters or themes. There is no historical record or narrative content suggesting the presence of transgender individuals or related storylines within the broadcast.
The movie does not contain any action or adventure elements.
As a documentary, "The Negro and the American Promise" features real historical figures and interviews. There are no instances of established characters or historical individuals being portrayed with a different gender than their actual or canonical identity.
This 1963 documentary focuses on the experiences of African Americans and the Civil Rights movement. It features real historical figures and interviews, not fictional characters or adaptations where a race swap could occur.
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