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An eccentric lower class woman struggles to gain respect in high society after marrying a wealthy man, and the problem gets worse when their daughter starts growing up.
An eccentric lower class woman struggles to gain respect in high society after marrying a wealthy man, and the problem gets worse when their daughter starts growing up.
The film's central conflict revolves around social class and acceptance, with its resolution championing selfless maternal sacrifice and individual conformity to achieve traditional social success for the daughter, which aligns with conservative values.
This 1937 film features traditional casting with no evident race or gender swaps of established roles. The narrative focuses on class and personal sacrifice, without critiquing traditional identities or incorporating explicit DEI themes.
Stella Dallas is a classic melodrama centered on a mother's self-sacrifice for her daughter's social advancement. The film's narrative and character arcs are entirely focused on heterosexual relationships and societal expectations, with no identifiable LGBTQ+ characters or themes present in the story.
Stella Dallas (1925) does not feature any identifiable transsexual characters or themes. The film's narrative is entirely focused on a mother's self-sacrifice and social struggles within early 20th-century American society, with no elements related to transgender identity.
The movie does not contain any action or adventure elements.
The 1925 film "Stella Dallas" is an adaptation of Olive Higgins Prouty's 1923 novel. All major characters in the film retain the same gender as established in the original source material, with no instances of a character's gender being altered.
The 1925 film "Stella Dallas" is an adaptation of the 1923 novel. The main characters, Stella, Stephen, and Laurel Dallas, were established as white in the source material and are portrayed by white actors in this film, with no changes to their race.
Combines user and critic ratings from four sources