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A flapper who's secretly a good girl and a gold-digging floozy masquerading as an ingénue both vie for the hand of a millionaire.
A flapper who's secretly a good girl and a gold-digging floozy masquerading as an ingénue both vie for the hand of a millionaire.
The film explores the social changes and youth culture of the Jazz Age, critiquing the superficiality and moral compromises of the flapper lifestyle while ultimately championing individual integrity and the pursuit of genuine love over status or fleeting pleasure. Its focus on individual moral choices within a changing social landscape results in a neutral stance.
This 1928 film features a primarily traditional cast, reflecting the common casting practices of its era. The narrative, centered on Jazz Age flapper culture, does not incorporate explicit DEI themes or offer a critique of traditional identities.
Our Dancing Daughters is a 1928 pre-Code film centered on flapper culture and heterosexual romantic entanglements. It does not feature any identifiable LGBTQ+ characters, relationships, or themes within its narrative, resulting in no portrayal of queer identity.
The 1928 film 'Our Dancing Daughters' centers on the social lives and romantic entanglements of young flappers during the Jazz Age. The narrative does not feature any identifiable transsexual characters or themes, nor does it engage with transgender identity in any capacity.
The movie does not contain any action or adventure elements.
Our Dancing Daughters (1928) is an original film, not an adaptation or reboot. All characters were created for this production, meaning there is no prior canonical gender to be swapped from.
Our Dancing Daughters (1928) is an original film and not an adaptation of pre-existing material with established character races, nor is it a biopic. Therefore, no characters could have been race-swapped from a prior canon or historical record.
Combines user and critic ratings from four sources