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Marion is a factory worker who hopes to trade the assembly line for a beautiful penthouse apartment. Mark Whitney, a wealthy and influential lawyer, can make her dreams come true, but, there is only one problem; he will give her everything except a marriage proposal. Will this affair ever lead to marriage?
Marion is a factory worker who hopes to trade the assembly line for a beautiful penthouse apartment. Mark Whitney, a wealthy and influential lawyer, can make her dreams come true, but, there is only one problem; he will give her everything except a marriage proposal. Will this affair ever lead to marriage?
The film implicitly validates individual ambition and the pursuit of wealth within existing class structures, culminating in a resolution where the protagonist achieves both material success and personal happiness without critiquing the societal system itself.
The movie 'Possessed' features a cast predominantly composed of white actors, consistent with the casting norms of its production era. Its narrative centers on themes of social mobility and romance without explicitly critiquing traditional identities or incorporating modern DEI themes.
The film 'Possessed' (1931) does not feature any identifiable LGBTQ+ characters or themes. Its narrative centers entirely on heterosexual relationships and social dynamics, resulting in no portrayal of queer identity within its story.
The 1931 film "Possessed" is a pre-Code drama focusing on a factory girl's rise through society. There are no identifiable transsexual characters or themes present in the narrative. The film's plot centers on conventional romantic and social dynamics of the era.
The movie does not contain any action or adventure elements.
The film "Possessed" (1931) is an original story with characters created specifically for this production. It is not an adaptation of pre-existing material, a reboot, or a biopic featuring historical figures. Therefore, no characters had a prior established gender to be swapped.
The 1931 film "Possessed" is an adaptation of a 1920 play. There is no evidence that any character, established as a specific race in the source material or prior adaptations, was portrayed by an actor of a different race in this film. All major characters and actors appear to be consistently white.
Combines user and critic ratings from four sources