4.1
Viewer Rating
Combines user and critic ratings from four sources
The Painted Hills (1951)
Bias Rating
Analyzing...
Leans Traditional
Viewer Rating
Rating: 4.1
Overview
After years of prospecting, Jonathan finally strikes gold. He returns to town only to discover that his partner has since died and left Tommy fatherless. He decides to leave Shep with Tommy to cheer him up. Meanwhile, Jonathan's new partner isn't interested in sharing the gold, and lures Jonathan to his death.
Starring Cast
Where to watch
Bias Dimensions
Political: Center
Diversity: Low
Overview
After years of prospecting, Jonathan finally strikes gold. He returns to town only to discover that his partner has since died and left Tommy fatherless. He decides to leave Shep with Tommy to cheer him up. Meanwhile, Jonathan's new partner isn't interested in sharing the gold, and lures Jonathan to his death.
Starring Cast
Where to watch
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
The film's central narrative revolves around animal loyalty and individual justice, focusing on a dog's devotion and quest for revenge rather than engaging with broader societal or political ideologies, thus remaining apolitical.
This 1951 adventure film features a cast that is predominantly white, reflecting the common casting practices of its era without intentional diversity in traditional roles. The narrative maintains a neutral or positive portrayal of traditional identities, consistent with its genre and period, and does not incorporate explicit DEI themes.
Secondary
The film "The Painted Hills" does not feature any identifiable LGBTQ+ characters or themes. Its narrative focuses on a prospector, his dog Lassie, and a conflict over gold, with no elements related to queer identity or experiences.
The film 'The Painted Hills' (1951) does not feature any identifiable transsexual characters or themes. Its narrative centers on a dog, Lassie, and a prospector's struggle, with no elements related to transgender identity or experience.
The film's narrative focuses on a dog and its human companions, primarily involving conflict between male characters. No female characters are depicted engaging in or winning close-quarters physical combat against male opponents.
This film features original characters for its specific story within the Lassie series. There is no evidence of any character being established as a different gender in prior source material, historical record, or previous adaptations before this 1951 production.
This film is part of the Lassie franchise, featuring original human characters for this specific installment. There is no evidence of any character being canonically, historically, or widely established as one race in prior source material or history, then portrayed as a different race in this film.
Viewer Rating Breakdown
User Ratings
4.2
4.0
Critic Ratings
N/A
N/A
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