5.8
Viewer Rating
Combines user and critic ratings from four sources
The Belle of New York (1952)
Bias Rating
Analyzing...
Leans Traditional
Viewer Rating
Rating: 5.8
Overview
In squeaky-clean New York at the turn of the century, playboy Charlie Hill falls so much in love that he can walk on air. The object of his affections is beautiful Angela Bonfils, a mission house worker in the Bowery. He promises to reform his dissolute life, even trying to do an honest day's work.
Starring Cast
Where to watch
Bias Dimensions
Political: Center
Diversity: Low
Christianity: Positive
Overview
In squeaky-clean New York at the turn of the century, playboy Charlie Hill falls so much in love that he can walk on air. The object of his affections is beautiful Angela Bonfils, a mission house worker in the Bowery. He promises to reform his dissolute life, even trying to do an honest day's work.
Starring Cast
Where to watch
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
The film is a romantic musical comedy centered on a playboy's journey to commitment, focusing on apolitical themes of individual moral reform and the pursuit of love within a traditional framework, thus earning a neutral rating.
This 1952 musical features traditional casting with a predominantly white ensemble, consistent with its era. The narrative does not present critiques of traditional identities, instead maintaining a neutral or positive framing.
Secondary
The film portrays the Salvation Army and its adherents, particularly Angela, with respect and sympathy. Her Christian faith is depicted as the source of her compassion, dedication to helping others, and moral integrity, ultimately inspiring the cynical protagonist to change for the better.
The Belle of New York is a 1952 musical comedy centered on traditional heterosexual romance. There are no identifiable LGBTQ+ characters or themes present in the film's narrative, plot, or character arcs, leading to a determination of N/A for LGBTQ+ portrayal.
The Belle of New York (1952) is a classic Hollywood musical without any discernible transsexual characters or themes. The narrative centers on a conventional romantic comedy plot, offering no depiction, either positive or negative, of transgender identity.
The movie does not contain any action or adventure elements.
The 1952 film is an adaptation of the 1897 stage musical, but it features new lead characters (Charlie Hill and Angela) rather than directly portraying the original named characters (Ichabod Bronson and Fifi Fricot) with different genders. Therefore, no gender swap is present.
Based on a review of the film's cast and its source material (the 1897 Broadway musical), there is no evidence that any character canonically or historically established as one race was portrayed as a different race in the 1952 film adaptation.
Viewer Rating Breakdown
User Ratings
6.1
5.5
Critic Ratings
N/A
N/A
More Like This
Leans Traditional
8.6
Top Hat
(1935)
Political: Center
Diversity: Low
Leans Traditional
8.3
The Band Wagon
(1953)
Political: Center
Diversity: Low
Leans Traditional
6.8
A Damsel in Distress
(1937)
Political: Center
Diversity: Low
Leans Traditional
7.4
Royal Wedding
(1951)
Political: Center
Diversity: Low
Leans Traditional
7.2
High Society
(1956)
Political: Center
Diversity: Low
Traditional
7.8
Holiday Inn
(1942)
Political: Leans Right
Diversity: Low
Leans Traditional
7.3
The Story of Vernon and Irene Castle
(1939)
Political: Center
Diversity: Low
Leans Traditional
7.4
Follow the Fleet
(1936)
Political: Center
Diversity: Low
Leans Traditional
6.5
Yolanda and the Thief
(1945)
Political: Center
Diversity: Low
Leans Traditional
7.9
The Gay Divorcee
(1934)
Political: Center
Diversity: Low
Leans Traditional
7.0
Lili
(1953)
Political: Center
Diversity: Low
Leans Traditional
7.9
Summer Stock
(1950)
Political: Center
Diversity: Low
Leans Traditional
7.8
Shall We Dance
(1937)
Political: Center
Diversity: Low
Leans Traditional
8.2
Swing Time
(1936)
Political: Center
Diversity: Low
Leans Traditional
7.3
Road to Morocco
(1942)
Political: Center
Diversity: Low
Traditional
7.0
White Christmas
(1954)
Political: Leans Right
Diversity: Low
Leans Traditional
7.7
On the Town
(1949)
Political: Center
Diversity: Low
Leans Traditional
7.0
The Pirate
(1948)
Political: Center
Diversity: Low
Leans Traditional
7.9
The Music Man
(1962)
Political: Center
Diversity: Low
Leans Traditional
7.3
Road to Singapore
(1940)
Political: Center
Diversity: Low