Leans Traditional
7.8
Mer
(1902)
Political: Center
Diversity: Low
Aux frontières de l'Homme (1953)
Bias Rating
Analyzing...
Leans Traditional
Viewer Rating
Not Rated
Overview
Starring Cast
Bias Dimensions
Political: Center
Diversity: Low
Christianity: Negative
Overview
Starring Cast
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
The film explores the universal ethical dilemmas posed by scientific advancement, particularly in biology, without advocating for specific political ideologies or solutions. Its focus on human responsibility and the need for collective ethical reflection positions it as a neutral philosophical inquiry.
This 1953 French documentary, exploring scientific and philosophical themes, features traditional casting consistent with its era. Its narrative maintains a neutral or positive framing of identities, without engaging in explicit critiques of traditional roles or incorporating DEI themes.
Secondary
The film, through its scientific and humanistic exploration of the human condition, implicitly critiques traditional Christian explanations for existence. It positions scientific inquiry and human reason as the primary means of understanding the world, rather than affirming Christian tenets.
This film is a 1953 French scientific documentary exploring biology, genetics, and the limits of human knowledge. It does not feature any identifiable LGBTQ+ characters or themes, as its focus is entirely on scientific and philosophical inquiry rather than social or identity-based narratives.
This 1953 French scientific documentary by Jean Rostand and Nicole Védrès explores biology, genetics, and the boundaries of human knowledge. There are no identifiable transsexual characters or themes present within the film's narrative or subject matter, resulting in a 'N/A' rating.
The movie does not contain any action or adventure elements.
As a 1953 documentary, "Aux frontières de l'Homme" does not feature fictional characters or historical figures whose established gender could be altered. It presents real-world observations and scientific concepts, precluding the possibility of a gender swap.
As a 1953 documentary film, "Aux frontières de l'Homme" does not feature fictional characters with pre-established racial identities from source material, nor does it misrepresent the race of specific historical figures. The concept of a "race swap" as defined does not apply to this type of film.
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