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A young Catholic priest from Boston confronts bigotry, Nazism, and his own personal conflicts as he rises to the office of cardinal.
A young Catholic priest from Boston confronts bigotry, Nazism, and his own personal conflicts as he rises to the office of cardinal.
The film's dominant themes align with conservative values by ultimately affirming the enduring strength of the Catholic Church, its traditional authority, and the importance of faith and personal sacrifice, even while addressing social injustices like racism and anti-Semitism.
The movie features a predominantly white cast with no explicit diversity in its main roles. The narrative centers on a white, male protagonist within a traditional institution, presenting traditional identities in a neutral to positive light without explicit critique or significant DEI themes.
The film, through the journey of its protagonist, explores the complexities and challenges within the Catholic Church, including human failings and institutional rigidities. However, it ultimately affirms the faith's core values, its mission, and the dedication of its adherents, positioning the protagonist's spiritual growth within the Church as a virtuous path.
The film strongly condemns antisemitism, particularly during the Nazi era, portraying the persecution of Jewish people as a profound injustice. The narrative aligns with the dignity of the Jewish faith and its adherents, showcasing characters who bravely defend them as morally righteous.
The Cardinal does not feature any identifiable LGBTQ+ characters or themes. The narrative centers on the challenges and moral dilemmas faced by a Catholic priest, with no elements related to queer identity or experiences.
The film 'The Cardinal' does not feature any identifiable transsexual characters or themes. Its narrative is centered on the challenges and moral dilemmas faced by a Catholic priest, addressing various social and religious issues of its era, but not gender identity.
The movie does not contain any action or adventure elements.
The 1963 film "The Cardinal" is an adaptation of Henry Morton Robinson's 1950 novel. All major characters, including protagonist Stephen Fermoyle, retain their established genders from the source material, with no instances of gender swapping.
The film is a historical drama based on a novel, depicting characters within the Catholic Church in the early 20th century. There is no evidence that any character, canonically or historically established as one race, was portrayed as a different race in the film adaptation.
Combines user and critic ratings from four sources