Viewer Rating
Combines user and critic ratings from four sources
In the far future, a savage trained only to kill finds a way into the community of bored immortals that alone preserves humanity's achievements.
In the far future, a savage trained only to kill finds a way into the community of bored immortals that alone preserves humanity's achievements.
The film critiques the stagnation and meaninglessness of an immortal, technologically advanced elite, as well as the brutality of the primitive masses. Its solution, a return to the natural cycle of life and death, transcends specific political ideologies, positioning it as a critique of ideological extremes and artificiality rather than promoting a particular political agenda.
The movie features a predominantly white and mainstream cast, typical of its production era, without explicit race or gender-swapped roles. Its narrative offers a critique of societal structures and human nature, but it does not specifically frame traditional identities in a negative light through a DEI lens.
The film "Zardoz" does not feature any identifiable LGBTQ+ characters or themes. The narrative focuses on societal decay, immortality, and the nature of humanity, without exploring diverse sexual orientations or gender identities.
Zardoz does not feature any identifiable transsexual characters or themes. The film's narrative focuses on societal decay, immortality, and the human condition, without engaging with gender identity or transition in any capacity.
The film features several female characters, primarily among the immortal Eternals. However, none of these characters are depicted engaging in or winning close-quarters physical combat against male opponents. Their roles are not combat-oriented.
Zardoz is an original film with characters created specifically for this production. There are no pre-existing characters from source material, prior adaptations, or historical records whose gender could have been altered.
Zardoz (1974) is an original film with characters created specifically for this production. There is no prior source material, historical record, or previous installment against which to assess a race swap.
Combines user and critic ratings from four sources