5.9
Viewer Rating
Combines user and critic ratings from four sources
The Loner (1987)
Bias Rating
Analyzing...
Traditional
Viewer Rating
Rating: 5.9
Overview
In Paris , Commissioner Stan Jalard and Inspector Simon Lecache plan to quit the police to go and enjoy a more peaceful life in the West Indies. In a nightclub, during a routine visit, they spot Schneider, a dreaded gangster and public enemy. At the time of his arrest, Simon is killed at close range by the criminal. Stan then decides to stay in the police to avenge Simon. Being the godfather of Christian, Simon's son, who sometimes lives in a boarding school, sometimes at home, he takes charge of his education. Two years later, Stan has been promoted, and he's told that Schneider had resurfaced in the capital. A long hunt begins.
Starring Cast
Bias Dimensions
Political: Leans Right
Diversity: Low
Overview
In Paris , Commissioner Stan Jalard and Inspector Simon Lecache plan to quit the police to go and enjoy a more peaceful life in the West Indies. In a nightclub, during a routine visit, they spot Schneider, a dreaded gangster and public enemy. At the time of his arrest, Simon is killed at close range by the criminal. Stan then decides to stay in the police to avenge Simon. Being the godfather of Christian, Simon's son, who sometimes lives in a boarding school, sometimes at home, he takes charge of his education. Two years later, Stan has been promoted, and he's told that Schneider had resurfaced in the capital. A long hunt begins.
Starring Cast
Detailed Bias Analysis
Analyzing...
Traditional
Primary
The film's narrative champions individual initiative and a strong, personal sense of law and order as the solution to crime and injustice, rather than focusing on systemic issues or collective action. This emphasis on individual responsibility and decisive action aligns with right-leaning themes.
The film features traditional casting without explicit race or gender swaps of established roles. Its narrative does not critically portray traditional identities or center on explicit DEI themes, maintaining a neutral or positive framing of its characters.
Secondary
The film 'The Loner' by Jacques Deray does not feature any identifiable LGBTQ+ characters or themes. Its plot centers on a police commissioner investigating a murder and taking responsibility for an orphaned child, with no elements pertaining to queer identity or experiences.
The film 'The Loner' (1987) is a French crime thriller focused on a police commissioner's investigation into a murder and kidnapping. Research indicates no depiction of transsexual characters or themes within its storyline, leading to a determination of N/A for its portrayal.
The film focuses on the male protagonist's pursuit of justice, with female characters primarily in supporting roles. There are no scenes depicting a female character engaging in or winning close-quarters physical combat against one or more male opponents.
The Loner (1987) is an original crime film and does not adapt characters from prior source material, historical records, or previous installments where a character's gender was established. Therefore, no gender swaps occur.
The Loner (1987) is an original film, not an adaptation of pre-existing material or a biopic. All characters were created for this specific production, meaning there are no prior canonical or historical racial depictions to be altered.
Viewer Rating Breakdown
User Ratings
5.8
6.0
Critic Ratings
N/A
N/A
More Like This
Leans Traditional
8.6
Breathless
(1960)
Political: Center
Diversity: Low
Leans Traditional
8.1
Bob le Flambeur
(1956)
Political: Center
Diversity: Low
Leans Traditional
8.7
Rififi
(1955)
Political: Center
Diversity: Low
Leans Traditional
8.5
Elevator to the Gallows
(1958)
Political: Center
Diversity: Low
Leans Traditional
7.2
November
(2022)
Political: Leans Right
Diversity: Moderate
Leans Traditional
7.7
Léon: The Professional
(1994)
Political: Center
Diversity: Low
Traditional
6.5
Taken
(2008)
Political: Leans Right
Diversity: Low
Leans Traditional
6.9
Ruby & Quentin
(2003)
Political: Center
Diversity: Low
Leans Traditional
7.2
The Three Musketeers: Milady
(2023)
Political: Leans Right
Diversity: Low
LGBTQ: Neutral
Female Combat: Yes
Leans Traditional
7.6
In the House
(2012)
Political: Center
Diversity: Low
Leans Traditional
8.7
Pépé le Moko
(1937)
Political: Center
Diversity: Low
Leans Traditional
8.3
The Beasts
(2022)
Political: Center
Diversity: Low
Leans Traditional
8.0
Black Box
(2021)
Political: Center
Diversity: Low
Leans Traditional
5.1
A Crime
(1993)
Political: Center
Diversity: Low
Leans Traditional
8.9
The Dark Knight
(2008)
Political: Leans Right
Diversity: Moderate
Leans Traditional
7.5
The Piano Teacher
(2001)
Political: Center
Diversity: Low
Leans Traditional
8.1
Amélie
(2001)
Political: Center
Diversity: Low
Leans Traditional
7.3
Marathon Man
(1976)
Political: Center
Diversity: Low
Leans Traditional
7.4
A Good Marriage
(1982)
Political: Center
Diversity: Low
Leans Traditional
6.8
The Matador
(2005)
Political: Center
Diversity: Low
LGBTQ: Neutral